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Length: 3:40
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Cellophane shrink-wrapped, so correct
Red dogs under illegal legs
She looks so good that he gets down and begs
She is watching the detectives
Ooh, it's so cute
She's watching the detectives
When they shoot, shoot, shoot, shoot
They beat him up until the teardrops start
But he can't be wounded 'cause he's got no heart
Long shot of that jumping sign
Invisible shivers running down my spine
Cut to baby taking off her clothes
Closeup of the sign that says "we never close"
You snatch a tune and you match a cigarette
She pulls your eyes out with a face like a magnet
I don't know how much more of this I can take
She's filing her nails while they're dragging the lake
She is watching the detectives
Oh, he's so cute
She is watching the detectives
Oh, and they shoot, shoot, shoot, shoot
They beat him up until the teardrops start
But he can't be wounded 'cause he's got no heart
You think you're alone until you realize you're in it
Now baby's here to stay, love is here for a visit
They call it instant justice when it's past the legal limit
Someone's scratching at the window, I wonder, who is it?
The detectives come to check if you belong to the parents
Who are ready to hear the worst about their daughter's disappearance
Though it nearly took a miracle to get you to stay
It only took my little fingers to blow you away
Just like watching the detectives
Don't get cute
Just like watching the detectives
I get so angry when the teardrops start
But he can't be wounded 'cause he's got no heart
Watching the detectives
It's just like watching the detectives
Watching the detectives
Watching the detectives
Watching the detectives
...
He took the stage in a kilt & kicked ass on that stage for just short of three hours
Raah!!!
Cannot believe that, in my teens, I didn't like EC. I was too busy listening to Genesis and Vangelis. I feel like I missed out now.
Thankfully, with recorded music, it's never too late!
Elvis also put on one of the best shows I've ever seen at the Pageant in St. Louis in 2015. High energy, crowd-surfing, everyone had a blast!
"Though it nearly took a miracle to get you to stay
It only took my little fingers to blow you away"
What a payoff!
The lyrics in this song are really very clever - Elvis Costello is underrated on that score - massively so.
"She's filing her nails as they're dragging the lake"
Genius.
It only took my little fingers to blow you away"
What a payoff!
c.
Still IS!
Oh very cool thanks
"She pulls your eyes out with a face like a magnet."
Love that line.
and "she's filing her nails while they're dragging the lake." Elvis is an awesome lyricist.
Now, his music is timeless.
Same here... it was Imperial Bedroom that hooked me and then his live shows. After that, I started loving all the records that came before it.
Look after the king of R n R please
Same here... it was Imperial Bedroom that hooked me and then his live shows. After that, I started loving all the records that came before it.
Never thought of it that way, but Spoon must have listened to Costello a lot.
Spoon just came after this song :)
She pulls your eyes out with a face like a magnet
I don't know how much more of this I can take
She's filing her nails while they're dragging the lake
Great stuff.
We can hope!
My younger brother bought this when it was released. I hadn't heard of EC at the time. Then, every time Bob wanted to listen to it, he had to get it from my room. Just picked up a UK import of this couple of weeks ago. KEEPER!
Love that line.
What a great image of I-don't-give-a-damn.
I always dug the bass in this song, but never really listened in on the drums until I read your comment. Wow.
Bass and Drums compliments of the Rumour. No wonder.
I always dug the bass in this song, but never really listened in on the drums until I read your comment. Wow.
Never thought of it that way, but Spoon must have listened to Costello a lot.
This and Lipstick Vogue.
I am completely unable to bear this voice. Drives me beyond crazy. Play this at a party and I will have to leave, no matter how hot the chicks.
I have no problem with Spoon that was mentioned in the thread, that voice is OK.
Not a fan of EC either. Had a rating of 3 for this one, but now it sounds like a 7.
Maybe it's the scotch.
Go and find you another web radio... just saying.
Did I miss anyone? Police left off on purpose.
Yeah, we get it. You don't like EC. Don't need to repeat yourself every time the song plays.
Funny, I just stopped watering mine to come and listen.
Saw EC a few years ago at, of all things, a Grateful Dead-type festival (Gathering of the Vibes). He still has it. He brought a lot of energy to the show and played nonstop for a couple hours. What a fantastic musician.
Pixies, B-52's Johnny Rivers, now Elvis,,,,its like my 1980 playlist on my ,,,,,,phone,,,no, I pod,,,no,,,um walkma,,,um no,,,,my turntable,,, yup turntable.
Nice lineup.
Still the best way to listen to em....too bad we cant miniaturize vinyl
I remember making a point of not missing it because The Sex Pistols were originally scheduled.
Next year, the Sex Pistols album "Never Mind the Bollocks, Here's the Sex Pistols" will be 40 (FORTY!) years old. And for some reason, it's still considered unplayable—too harsh for public consumption. I know some tracks are definitely not suitable for the airwaves, but I see no reason why a couple of these songs couldn't get a spin in 2016.
I've submitted the leadoff track here, only to see it get shot down like a 1960's Berlin Wall tower guard picking off a freedom seeker.
12 Track Version (US Edition)
No.TitleWriter(s)Length
1."Holidays in the Sun" Cook/Jones/Rotten/Vicious3:22
2."Bodies" Cook/Jones/Rotten/Vicious3:03
3."No Feelings" Cook/Jones/Matlock/Rotten2:53
4."Liar" Cook/Jones/Matlock/Rotten2:41
5."Problems" Cook/Jones/Matlock/Rotten4:11
6."God Save the Queen" Cook/Jones/Matlock/Rotten3:20
7."Seventeen" Cook/Jones/Matlock/Rotten2:02
8."Anarchy in the U.K." Cook/Jones/Matlock/Rotten3:32
9."Submission" Cook/Jones/Matlock/Rotten4:12
10."Pretty Vacant" Cook/Jones/Matlock/Rotten3:18
11."New York" Cook/Jones/Matlock/Rotten3:07
12."E.M.I." Cook/Jones/Matlock/Rotten3:10
Is so full of love & Ardour
So we line up.
It better be a big family affair.
Miranda, she will be the one prompting law,
Because she's pretty much the nearest to the grime scene
Despite deputy too has got his own toy collection
He can barely do little better than stuttering,
That keeps freaking hella lotta people
Out of their dearest minds.
So looks like soon we won't need around here
No deputy no more, crying up to the sky
'Diáspora' from the places you never heard.
It's actually not good aim. His picture on the album is not centered. Maybe he should have been watching the graphics guy's aim instead of the detectives.
As a graphic designer (with OCD tendencies) I'd have to agree with you - the cover art execution is piss poor. Song's good though.
Another Elvis Costello just a few hours back.
Some music is fine all day but one Elvis a day is good enough.
Man's inhumanity to man,,,or something or other,,,,,who cares.
This is such a great record. That's one reason how.
Agreed
Pixies, B-52's Johnny Rivers, now Elvis,,,,its like my 1980 playlist on my ,,,,,,phone,,,no, I pod,,,no,,,um walkma,,,um no,,,,my turntable,,, yup turntable.
Nice lineup.
This is such a great record. That's one reason how.
kinda like the indifference we now have amongst political candidates towards mass shootings.
so many great lines in this song, as punchy as it ever was
I can never forget how I was first introduced to this song, this guy and his wacky new sound...
Watching SNL, '77, back in the day — this nerdy gawky sweaty pigeon-toed dude comes on with Buddy Holly specs and Fender Jag guitar and tight stove-pipe jeans with the cuffs turned up hideously high (weirdly enough, bell bottoms were the norm then!). He herks and jerks around the stage spastically then grabs the mike and wraps around it and snarls something like, "Nhuh we're not gonna do THAT one...we're gonna do THIS one instead," and HE FREAKED THE WATCHING WORLD RIGHT OUT WITH IT! Next day at high school, we're all imitating the pigeon-toed pose and sneering the wicked, twisted lyrics, "and she is WATCHING the de-TEC-TIVES!" and the teachers are giving us the same sort of stunned and quizzical looks we'd first given Mr. Declan MacManus on the tube the night before...and we sure DUG IT!
Yes, I remember that as well. I remember making a point of not missing it because The Sex Pistols were originally scheduled. I was not disappointed - Elvis rocked, but he was playing a Fender Jazzmaster, not a Jaguar.
It's actually not good aim. His picture on the album is not centered. Maybe he should have been watching the graphics guy's aim instead of the detectives.
First Cant you hear me Knockin" now this brilliant record.
Mr Costello at his very best
No.
I can never forget how I was first introduced to this song, this guy and his wacky new sound...
Watching SNL, '77, back in the day — this nerdy gawky sweaty pigeon-toed dude comes on with Buddy Holly specs and Fender Jag guitar and tight stove-pipe jeans with the cuffs turned up hideously high (weirdly enough, bell bottoms were the norm then!). He herks and jerks around the stage spastically then grabs the mike and wraps around it and snarls something like, "Nhuh we're not gonna do THAT one...we're gonna do THIS one instead," and HE FREAKED THE WATCHING WORLD RIGHT OUT WITH IT! Next day at high school, we're all imitating the pigeon-toed pose and sneering the wicked, twisted lyrics, "and she is WATCHING the de-TEC-TIVES!" and the teachers are giving us the same sort of stunned and quizzical looks we'd first given Mr. Declan MacManus on the tube the night before...and we sure DUG IT!
kcar wrote:
I remember watching that too...not fully engaged (who is this manic geek) and being sleepily puzzled as to why the hell he wouldn't play the song?
All-knowing Uncle Wikipedia explains...Frankly, I don't think Americans watching were going to link "Less Than Zero" to Oswald Mosley, so Elvis might have made the right call. I sure didn't until I looked at the Wikipedia piece; like a lot of guys, I admittedly don't listen carefully to lyrics.
As for SNL banning Elvis for x years: assclowns. Lighten up: the unrehearsed and chaotic make shows like that fun.
Me too! Can't believe I am not the only one with that performance indelibly burned in my brain. It was incredible.
The Radio,Radio appearance (that got him banned) must have been a subsequent appearance, because I can remember be mesmerized by the "watching the detectives" like it just yesterday!
I remember watching that too...not fully engaged (who is this manic geek) and being sleepily puzzled as to why the hell he wouldn't play the song?
All-knowing Uncle Wikipedia explains...Frankly, I don't think Americans watching were going to link "Less Than Zero" to Oswald Mosley, so Elvis might have made the right call. I sure didn't until I looked at the Wikipedia piece; like a lot of guys, I admittedly don't listen carefully to lyrics.
As for SNL banning Elvis for x years: assclowns. Lighten up: the unrehearsed and chaotic make shows like that fun.
I saw that show...f**kin brilliant...loved him ever since.
I can never forget how I was first introduced to this song, this guy and his wacky new sound...
Watching SNL, '77, back in the day — this nerdy gawky sweaty pigeon-toed dude comes on with Buddy Holly specs and Fender Jag guitar and tight stove-pipe jeans with the cuffs turned up hideously high (weirdly enough, bell bottoms were the norm then!). He herks and jerks around the stage spastically then grabs the mike and wraps around it and snarls something like, "Nhuh we're not gonna do THAT one...we're gonna do THIS one instead," and HE FREAKED THE WATCHING WORLD RIGHT OUT WITH IT! Next day at high school, we're all imitating the pigeon-toed pose and sneering the wicked, twisted lyrics, "and she is WATCHING the de-TEC-TIVES!" and the teachers are giving us the same sort of stunned and quizzical looks we'd first given Mr. Declan MacManus on the tube the night before...and we sure DUG IT!
I remember watching that too...not fully engaged (who is this manic geek) and being sleepily puzzled as to why the hell he wouldn't play the song?
All-knowing Uncle Wikipedia explains...Frankly, I don't think Americans watching were going to link "Less Than Zero" to Oswald Mosley, so Elvis might have made the right call. I sure didn't until I looked at the Wikipedia piece; like a lot of guys, I admittedly don't listen carefully to lyrics.
As for SNL banning Elvis for x years: assclowns. Lighten up: the unrehearsed and chaotic make shows like that fun.
Yeah, I agree there. Irony is good, snarky is good, but to be ironically snarky while projecting an image that I'm not cool enough to be part of the "in crowd" anyway does not give me any reason to want to listen.
I just have no idea what this means. Either you were absent in 77 or you were listening elsewhere to something I would not go near.
Well, except the song he did instead was 'Radio Radio' off his This Year's Model album. The producers at SNL banned him from the show for decades for that stunt.
i THOUGHT that was the song i remembered! i remember it was a super uptempo and i was about to say "wasn't it radio radio" as some kind of slam to producers or something - is why he did it? i can't recall...
I can never forget how I was first introduced to this song, this guy and his wacky new sound...
Watching SNL, '77, back in the day — this nerdy gawky sweaty pigeon-toed dude comes on with Buddy Holly specs and Fender Jag guitar and tight stove-pipe jeans with the cuffs turned up hideously high (weirdly enough, bell bottoms were the norm then!). He herks and jerks around the stage spastically then grabs the mike and wraps around it and snarls something like, "Nhuh we're not gonna do THAT one...we're gonna do THIS one instead," and HE FREAKED THE WATCHING WORLD RIGHT OUT WITH IT! Next day at high school, we're all imitating the pigeon-toed pose and sneering the wicked, twisted lyrics, "and she is WATCHING the de-TEC-TIVES!" and the teachers are giving us the same sort of stunned and quizzical looks we'd first given Mr. Declan MacManus on the tube the night before...and we sure DUG IT!
Well, except the song he did instead was 'Radio Radio' off his This Year's Model album. The producers at SNL banned him from the show for decades for that stunt.
I can never forget how I was first introduced to this song, this guy and his wacky new sound...
Watching SNL, '77, back in the day — this nerdy gawky sweaty pigeon-toed dude comes on with Buddy Holly specs and Fender Jag guitar and tight stove-pipe jeans with the cuffs turned up hideously high (weirdly enough, bell bottoms were the norm then!). He herks and jerks around the stage spastically then grabs the mike and wraps around it and snarls something like, "Nhuh we're not gonna do THAT one...we're gonna do THIS one instead," and HE FREAKED THE WATCHING WORLD RIGHT OUT WITH IT! Next day at high school, we're all imitating the pigeon-toed pose and sneering the wicked, twisted lyrics, "and she is WATCHING the de-TEC-TIVES!" and the teachers are giving us the same sort of stunned and quizzical looks we'd first given Mr. Declan MacManus on the tube the night before...and we sure DUG IT!
Thanks, Pat P., wherever you are!
Listening to the older Elvis C always brings back memories of Warm Guns; a danish band inspired by Elvis C.
Especially their album "Hard luck"
"Bedtime story" https://www.youtube.com/watch?v=zqkHy3xNypU hmm cut short by a minute
"The young go first" https://www.youtube.com/watch?v=R4vfl3vnBiA hideous video, but that was how it was back then
The single, produced by Nick Lowe, was the first to be credited to 'Elvis Costello & the Attractions', reflecting the new backing band that he was using, previous releases being credited solely to the singer.<7> The lead track was, in fact, recorded in May 1977, before the Attractions existed - the backing band on the song were Steve Goulding on drums and Andrew Bodnar on bass guitar, both from Graham Parker's band, The Rumour.<8> Keyboard overdubs were added later by Steve Nason (later better-known as Steve Nieve).<8> It was also the first top 40 hit in the UK Singles Chart for Costello, reaching #15 and spending a total of eleven weeks in the chart.<7><9>
Andrew Bodnar on bass guitar
Pure Genius
My comment is sure to be trashed, but here goes:
I have NEVER liked Elvis C. I cannot *stand* when people sing in that sneery, snarky contrived tone. I suppose he's a clever songwriter, to be fair; but his singing just cancels out any listenability for me.
Tra La.....
Yeah, I agree there. Irony is good, snarky is good, but to be ironically snarky while projecting an image that I'm not cool enough to be part of the "in crowd" anyway does not give me any reason to want to listen.
Most critics think The Attractions, EC's band after this album, was his best. Hmm. Don't know if he'd have gained any traction if My Aim Is True had bombed. Clover, a group from Mill Valley, CA, backed him on My Aim courtesy of Nick Lowe, who'd brought them over to England to record. Clover was Huey Lewis's band by then, but he doesn't appear on My Aim. Sean Hopper, later starting The News with Lewis, and John McFee, long time Doobie Brother, do.
As a long time Elvis fan, I can appreciate the work of the boys from Clover on MAIT but.........I would put Steve Nieve and Pete Thomas up against anyone in their generation on their respective instruments.
Most critics think The Attractions, EC's band after this album, was his best. Hmm. Don't know if he'd have gained any traction if My Aim Is True had bombed. Clover, a group from Mill Valley, CA, backed him on My Aim courtesy of Nick Lowe, who'd brought them over to England to record. Clover was Huey Lewis's band by then, but he doesn't appear on My Aim. Sean Hopper, later starting The News with Lewis, and John McFee, long time Doobie Brother, do.
That's Andrew Bodnar playing the incredible bass on this track. Clover's bassist, Johnny Ciambotti, sat out.
My comment is sure to be trashed, but here goes:
I have NEVER liked Elvis C. I cannot *stand* when people sing in that sneery, snarky contrived tone. I suppose he's a clever songwriter, to be fair; but his singing just cancels out any listenability for me.
For the most part, I agree with you, but on this particular song, that sneery, snarky tone actually works.