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Your eyes looked from your mother's face
Wallflower seed on the sand and stone
May the four winds blow you safely home.
Roll away the dew
Roll away the dew
Roll away the dew
Roll away the dew
I'll tell you where the four winds dwell
In Franklin's tower there hangs a bell
It can ring, turn night to day
It can ring like fire when you loose your way.
Roll away the dew
Roll away the dew
Roll away the dew
Roll away the dew
God save the child that rings that bell
It may have one good ring, baby, you can't tell
One watch by night, one watch by day
If you get confused listen to the music play.
(instrumental)
Some come to laugh their past away
Some come to make it just one more day
Whichever way your pleasure tends
If you plant ice you're gonna harvest the wind.
Roll away the dew
Roll away the dew
Roll away the dew
Roll away the dew
In Franklin's tower the four winds sleep
Like four lean hounds the lighthouse keep
Wildflower seed on the sand and wind
May the four winds blow you home again.
Roll away the dew
Roll away the dew
Roll away the dew
You'd better roll away the dew
Roll away the dew
Roll away the dew
Roll away the dew
You'd better roll away the dew - roll away.
In my older years I have come to love them, especially the spacey long jams. Let's hope I don't soon start digging Lawrence Welk.
A life well lived.
Help>Slip>Frank, just amazing to see these live at Winterland. Like watching the original cast do a recently written Shakespeare play, we were just a lucky 5,000 to be there.
Songs that were 50 years old when this one came out were etched in 1925! But this set, I will listen to and smile every time.
Love this tune, and always have. Just finished reading Thurston Moore's Sonic Life Memoir. My take... for what it is worth.....his band Sonic Youth sought their own sound and played off each other. Much like Jerry and the Dead. Thurston was not a deadhead but certainly respected all attempts at music. Sonic Youth and The Dead are totally different sounds....but same philosophy. Music is Music. Thanks RP for all the sounds you bring.
One Sonic Youth lyric asks a hypothetical band if the music or the words are more important to that band. I've since noticed that most bands tend to emphasize one or the other and so this is a pertinent question. IMHO, I believe the GD and SY are alike in emphasizing the music. No disrespect to either of their lyrics or Robert Hunter.
sucko - barfo - time to listen to something else for a few minutes.
If you plant ice, you're gonna harvest wind...Robert Hunter was a genius!
Someone tell me how much grass do I need to smoke to make this band sound talented? Oh I know, I'm blaspheming, but I've kept an open mind for so long now, I'm coming to the conclusion only proper musicians can appreciate the Grateful Dead, which means I never will. I guess you had to be there. Sorry, so sorry...
hey...
just read Phil's book entitled: "searching for the sound".
It's OK, some folks, actually many, don't get it. You don't get it, likely never will. Accept it. I'm happy for those who do, sad for those who don't. What an experience it was catching GD in Phoenix and Vegas in the 90s! Masters of the "jam"!
icuski2... I'm with ya man. Great comment! The last time they came to Texas was in '88 so in the '90's we packed it Vegas for those 3 day shows... what a hoot!
Don't be sorry. You like what you like.
You have a point about musicians appreciating The Dead. There is a level of musicality that transcends the ordinary, to be sure. Their sophistication of group improvisation (what is often referred to as "jam") that is truly remarkable, on the level of classic improv jazz.
The Dead also had a connection to their fans that could never quite be captured in the studio, hence the thousands of Deadheads that followed their tours around the country, and the huge catalog of bootleg recordings treasured by their fans.
The Dead were also more than a band of musicians, having come into their own out of the 60's Haight Asbury hippie movement and the San Francisco music scene. They were, IMHO, the house band for that era.
Lastly, you also have a point when you say "guess you had to be there". A Dead concert was more than just a music show, it was a gathering of the tribe, a cultural event set to song. It was truly one of kind, often imitated but never equaled.
Buddy's being much too kind (nothing wrong with that).
My feeling is that if you need to have it explained, you'll never understand.
I love the Dead but feel the same way as you do about Phish.
Beautiful work.
Jethro Tull - Locomotive Breath
Stones - She's a Rainbow
Cat Stevens - But I Might Die Tonight
Dead - Franklin's Tower
Led Zep - Over the Hills....
Why do I keep tuning in and supporting RP?
Go Figure other than the fact that I'm listening to "my favorite:s". But then again, maybe not.
It's OK, some folks, actually many, don't get it. You don't get it, likely never will. Accept it. I'm happy for those who do, sad for those who don't. What an experience it was catching GD in Phoenix and Vegas in the 90s! Masters of the "jam"!
Lots, I suppose.
I've smoked lots and lots at a single sitting, and have never understood the Grateful Dead attraction. I'm the proper age and possess the same political beliefs (I assume) as many Dead Heads ... but they've got an extra chromosome or something.
PS: Mass quantity consumption of other chemicals does not change my failure to 'grok' these guys.
After ignoring the Dead for the bulk of my 50 plus years of listening to music (except for actually seeing them live on a lark back in the mid 80's), I "discovered" them last year after watching the HBO Documentary "Long Strange Trip" (which I'd recommend even if you don't necessary like the Dead). Amazed it took me so long. Lots and lots "of licorice" to love, that's for sure.
"God save the child that rings that bell
It may have one good ring, baby, you can't tell
One watch by night, one watch by day
If you get confused listen to the music play."
I was too young to be a deadhead when they were active, oh poor me! Like a lot of the 60s/70s acts, boy do I wish I were there then, this one's an 8 pushing a 9....Long Live RP!!
Don't be sorry. You like what you like.
You have a point about musicians appreciating The Dead. There is a level of musicality that transcends the ordinary, to be sure. Their sophistication of group improvisation (what is often referred to as "jam") that is truly remarkable, on the level of classic improv jazz.
The Dead also had a connection to their fans that could never quite be captured in the studio, hence the thousands of Deadheads that followed their tours around the country, and the huge catalog of bootleg recordings treasured by their fans.
The Dead were also more than a band of musicians, having come into their own out of the 60's Haight Asbury hippie movement and the San Francisco music scene. They were, IMHO, the house band for that era.
Lastly, you also have a point when you say "guess you had to be there". A Dead concert was more than just a music show, it was a gathering of the tribe, a cultural event set to song. It was truly one of kind, often imitated but never equaled.
The Grateful Dead played at my wedding. Well, ok actually, we got married at a Dead show at Cal Expo in Sacramento. The closest thing I think I've felt to that tribal gathering you mentioned since that show was a Bernie Sanders rally right there at the Expo. So much love and human kindness all pulled in tight like that-it's a beautiful thing.
My thoughts on every Dead track ever...
I'm sorry for you
At 70 ... what a long strange trip it's been
I was there and remember some / most of it.
Don't muck around .... I'm sure you'll be happier at TROLL AM
After ignoring the Dead for the bulk of my 50 plus years of listening to music (except for actually seeing them live on a lark back in the mid 80's), I "discovered" them last year after watching the HBO Documentary "Long Strange Trip" (which I'd recommend even if you don't necessary like the Dead). Amazed it took me so long. Lots and lots "of licorice" to love, that's for sure.
they have..... they are the Bush klan........
Simpler times.
Don't be sorry. You like what you like.
You have a point about musicians appreciating The Dead. There is a level of musicality that transcends the ordinary, to be sure. Their sophistication of group improvisation (what is often referred to as "jam") that is truly remarkable, on the level of classic improv jazz.
The Dead also had a connection to their fans that could never quite be captured in the studio, hence the thousands of Deadheads that followed their tours around the country, and the huge catalog of bootleg recordings treasured by their fans.
The Dead were also more than a band of musicians, having come into their own out of the 60's Haight Asbury hippie movement and the San Francisco music scene. They were, IMHO, the house band for that era.
Lastly, you also have a point when you say "guess you had to be there". A Dead concert was more than just a music show, it was a gathering of the tribe, a cultural event set to song. It was truly one of kind, often imitated but never equaled.
I had a flashback just reading this comment. Well put.
Don't be sorry. You like what you like.
You have a point about musicians appreciating The Dead. There is a level of musicality that transcends the ordinary, to be sure. Their sophistication of group improvisation (what is often referred to as "jam") that is truly remarkable, on the level of classic improv jazz.
The Dead also had a connection to their fans that could never quite be captured in the studio, hence the thousands of Deadheads that followed their tours around the country, and the huge catalog of bootleg recordings treasured by their fans.
The Dead were also more than a band of musicians, having come into their own out of the 60's Haight Asbury hippie movement and the San Francisco music scene. They were, IMHO, the house band for that era.
Lastly, you also have a point when you say "guess you had to be there". A Dead concert was more than just a music show, it was a gathering of the tribe, a cultural event set to song. It was truly one of kind, often imitated but never equaled.
Such an excellent statement. You have captured The Dead perfectly. Thank you.
I recall the first time hearing this when I was about 10 or 11 and feeling the same way...then and now it triggers endorphins like a wonderful, nostalgic memory does.
I totally agree.
Don't be sorry. You like what you like.
You have a point about musicians appreciating The Dead. There is a level of musicality that transcends the ordinary, to be sure. Their sophistication of group improvisation (what is often referred to as "jam") that is truly remarkable, on the level of classic improv jazz.
The Dead also had a connection to their fans that could never quite be captured in the studio, hence the thousands of Deadheads that followed their tours around the country, and the huge catalog of bootleg recordings treasured by their fans.
The Dead were also more than a band of musicians, having come into their own out of the 60's Haight Asbury hippie movement and the San Francisco music scene. They were, IMHO, the house band for that era.
Lastly, you also have a point when you say "guess you had to be there". A Dead concert was more than just a music show, it was a gathering of the tribe, a cultural event set to song. It was truly one of kind, often imitated but never equaled.
It's not the grass that you need. It's the psychedelics.
You played violin, I guess you're good, and I played geek.When you said you still want to do something else in performance arts, everthing felt out of place?.How did you find a geek in cyber space?
And they will be dancing in Chicago for three days or more for the July shows at Soldier field.
The vibes...it will be a "happening" at lake Michigan.
Yeah baby!
Don't remember which night I was there, but it was sterling.
Sterling.
Such a pretty, trippy, little dance song...with a lot going on with the three guitar players and key boards. Some complex stuff.
Just gotta listen and move with it.
Love it... we be dancing...
One day we will meet at a show given the similar taste. Maybe some Alt-J?
they have..... they are the Bush klan........
I will freely admit to being a card-carrying, tie-dyed in the wool Deadhead, but I find this so damn funny! If we can't laugh at ourselves, the terrorists win.
they have..... they are the Bush klan........
d-don wrote:
I will freely admit to being a card-carrying, tie-dyed in the wool Deadhead, but I find this so damn funny! If we can't laugh at ourselves, the terrorists win.
I will freely admit to being a card-carrying, tie-dyed in the wool Deadhead, but I find this so damn funny! If we can't laugh at ourselves, the terrorists win.
karljonasson wrote:
There are so many other Dead tunes I'd like to also hear in rotation, this just happens to be one of my favorites.
happy friday, freaks
And I agree... miss you Jerry.
I've seen them live more times than I can remember and I absolutely do not understand. I can fathom your dislike exactly as much as I can understand how people are attracted to the Tea Party.
What did the Dead Head say after he ran out of weed?
What is that horrible noise?
Grateful Dead - "Franklin's Tower" Radio City Live (1980):
https://www.youtube.com/watch?v=sEniyvOtETc
"RIP Jerry, Pigpen, Brent and Keith. You guys still live on in spirit and in the music. What a long strange trip it's been indeed."
Well, that brought my work day to a stand still. The boys were in rare form!If you had ever seen them live you'd understand.Like an out of tune high school stoner band.
I've seen them live more times than I can remember and I absolutely do not understand. I can fathom your dislike exactly as much as I can understand how people are attracted to the Tea Party.
If you had ever seen them live you'd understand. Like an out of tune high school stoner band.
"1" and laughable!
ha, i never used to like The Dead but the older I get, the more appealing they are to me....
"1" and laughable!
Really? "Sowing The Seeds of Love" gets a 10, and this gets a 1? That's laughable.
Dead, not so much. I still don' get them.
I suppose it's a "you had to be there" sort of thing.
"1" and laughable!
They're not dead enough.
Shame on you. You're from Mountain View.
Life has been an antagonist to many very talented folks. Sure do miss me some Dead.. I keep thinking that
there should be a new album out and then I realize that the Dead is Dead. Exquisite while it lasted.
Perhaps in another bubble in this bubble wrap universe .....
They're not dead enough.
Life has been an antagonist to many very talented folks. Sure do miss me some Dead.. I keep thinking that
there should be a new album out and then I realize that the Dead is Dead. Exquisite while it lasted.
Perhaps in another bubble in this bubble wrap universe .....
"RIP Jerry, Pigpen, Brent and Keith. You guys still live on in spirit and in the music. What a long strange trip it's been indeed."
Somebody needs to wake up guitar banana!!!
Phil Lesh seems to put notes where you don't expect them. He is not what you might call an "in the pocket" bassist.
ZZZZZZZZZZZZZZZZ
Agreed
Sorry, I just wanted to see what that many of these looked like on the page. Don't really like the song that much, just wanted to do this.......carry on.
Looks like a cutaway view of my freshman dorm at Indiana University.
ZZZZZZZZZZZZZZZZ
Absolutely. I think he would wish to be seen this way. Pete Seeger is probably less musically diverse, but also plays banjo.
I used to have a video of a PBS profile of the band from back around 90-91. I distictly remember Jerry's response when asked, by Buck Henry, how he hoped to be remembered:
"I'd like to be remembered as an adequate guitarist." Followed by that laugh he had that allways sounded like a kid hoping he wasn't gonna get caught.