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Length: 5:14
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For the first graders out there... Yes, it is a "dude guy" singing not a "lady warbler".
ha, that's exactly what I was thinking...!
Lucinda? i thought, cool, two Joan Osborne songs in less than an hour, when i looked up and saw it wasn't.
So did I - or Sam Phillips. Still, I really like it and now that I know it's a guy, I still like it. Might have to shell out more (more?! Geez, I'm living like there's no tomorrow!) money for this one.
hokey smokes indeed. i was just about to say "there's no way this is a dude singing." we get enough of that trickery with the silversun pickups.
However, I like The Silversun Pickups, this, meh.
same here!
hokey smokes indeed. i was just about to say "there's no way this is a dude singing." we get enough of that trickery with the silversun pickups.
Splendid! Ordered via the RP Amazon link. Don't you love it finding good music and the artist benefit by actually paying for their efforts.
hear hear people!
My reaction exactly, until I turned the volume up a bit. I'll admit to enjoying this more than most of what Lucinda's been putting out the past few years. An 8, and I could be convinced that it's worth more than that.
And your point is what exactly?
His voice is in the lighter quality range for a man, although not particularly high, while Joan and Linda are in the "heavier" range for women. And what about Mavis Staples? god—what a voice!—but there are times you could swear it was a man.
Doesn't make any of them less talented or enjoyable to listen to.
I had a choir director in jr high who hated Karen Carpenter—"that *&^%#@ female bass," he'd say.
What a putz.
A note about the purchase: The disc came directly from Michael and he send a hand written thank you doodle along with the disc. Cool guy. Hope he makes it big.
Splendid! Ordered via the RP Amazon link. Don't you love it finding good music and the artist benefit by actually paying for their efforts.
(that was a punch-line drum crash if you couldn't tell)
Excellent! Meet me down at Yuk Yuks, I could use your help.
I'd like to see the Ministry of Agriculture cover this tune! Some talented folks there, in fact I've heard they are outstanding in their field!
Ba-dum CHSHHH!
(that was a punch-line drum crash if you couldn't tell)
A note about the purchase: The disc came directly from Michael and he send a hand written thank you doodle along with the disc. Cool guy. Hope he makes it big.
ha, that's exactly what I was thinking...!
I'd like to see the Ministry of Agriculture cover this tune! Some talented folks there, in fact I've heard they are outstanding in their field!
Joan Osborne.
My sentiments exactly.
Wait. That's a DUDE singing? No. Way.
Carolina (Mountain)Sunset
I'd argue he's not singing like a woman, he's singing like a guy in an octave you don't associate with men generally singing in.
I suspect your discomfort comes from the fact you were turned on by what you imagined was a hot chick singing a great song and then were disappointed to discover it was a guy. Kind of like when you're behind the hot chick in line with the great hair and tight ass and then they turn around and you find to your horror it's a guy with a beard. (Damn Hippies)
Just listen to the song and forget about who's singing it. If you filter your art based upon preconceived notions you'll be missing out on a lot of great stuff. Admit it, if this had been sung by a woman you would have given it an 8.
A bit like the Turin Brakes syndrome?
totally. Like it!
I was thinking a more feminine Lucinda Williams, myself.
I second that.
I do too!
"It's such a fine line between stupid, and clever." ~David St. Hubbins
"3 - Ho Hum" musta been designed for this song.
'It's no surprise then that I Made You Up boasts an all-star indie cast, with guest appearances from Amy Correia, Pete Yorn, Tracy Bonham and others, plus a Who's Who of LA's finest (Brendan Buckley, Dan Rothchild, Eric Heywood, Patrick Warren, Lyle Workman, Rami Jaffee, Ben Peeler, Stevie Blacke, Adam Zimmon, and Mike Roe).'
Click on the album cover to go to the review.
BB
I'd argue he's not singing like a woman, he's singing like a guy in an octave you don't associate with men generally singing in.
So, ...he's singing like a girl, right?
I'd argue he's not singing like a woman, he's singing like a guy in an octave you don't associate with men generally singing in.
I suspect your discomfort comes from the fact you were turned on by what you imagined was a hot chick singing a great song and then were disappointed to discover it was a guy. Kind of like when you're behind the hot chick in line with the great hair and tight ass and then they turn around and you find to your horror it's a guy with a beard. (Damn Hippies)
Just listen to the song and forget about who's singing it. If you filter your art based upon preconceived notions you'll be missing out on a lot of great stuff. Admit it, if this had been sung by a woman you would have given it an 8.
I will admit, those damn hippies have got me once or twice at the supermarket. But lets face it... dude really does sound like a chick. And now that we are on the topic he is lookin quite pretty on the cover image. Perhaps I am just jealous of that hair (I have always wanted curly hair... alas)! Dude is probably a chick magnet now that I think about it.
Unfortunately, none of that makes him any less of a wuss. Nor does it make the song any better than a 4 in my book.
Chad =
I'd argue he's not singing like a woman, he's singing like a guy in an octave you don't associate with men generally singing in.
I suspect your discomfort comes from the fact you were turned on by what you imagined was a hot chick singing a great song and then were disappointed to discover it was a guy. Kind of like when you're behind the hot chick in line with the great hair and tight ass and then they turn around and you find to your horror it's a guy with a beard. (Damn Hippies)
Just listen to the song and forget about who's singing it. If you filter your art based upon preconceived notions you'll be missing out on a lot of great stuff. Admit it, if this had been sung by a woman you would have given it an 8.
LOL!! Touche'!
YourNameHere wrote:
I'd argue he's not singing like a woman, he's singing like a guy in an octave you don't associate with men generally singing in.
I suspect your discomfort comes from the fact you were turned on by what you imagined was a hot chick singing a great song and then were disappointed to discover it was a guy. Kind of like when you're behind the hot chick in line with the great hair and tight ass and then they turn around and you find to your horror it's a guy with a beard. (Damn Hippies)
Just listen to the song and forget about who's singing it. If you filter your art based upon preconceived notions you'll be missing out on a lot of great stuff. Admit it, if this had been sung by a woman you would have given it an 8.
So I actually just gave it some thought. Here is what I came up with:
I hate wussiness (if that is a word). This guy is a wuss, or at the very least he sounds like a wuss. I like androgyny; I am a huge Bowie fan. Bowie at one point was very androgynous, but he was never a wuss; if anything he was more of a rebellious bad-ass. A man singing like a woman connotes wussiness, while a woman singing like a woman has no wussie connotations at all. Furthermore a woman singing like a man connotes strength, which does not bother me at all.
-Chad
I'd argue he's not singing like a woman, he's singing like a guy in an octave you don't associate with men generally singing in.
I suspect your discomfort comes from the fact you were turned on by what you imagined was a hot chick singing a great song and then were disappointed to discover it was a guy. Kind of like when you're behind the hot chick in line with the great hair and tight ass and then they turn around and you find to your horror it's a guy with a beard. (Damn Hippies)
Just listen to the song and forget about who's singing it. If you filter your art based upon preconceived notions you'll be missing out on a lot of great stuff. Admit it, if this had been sung by a woman you would have given it an 8.
So I actually just gave it some thought. Here is what I came up with:
I hate wussiness (if that is a word). This guy is a wuss, or at the very least he sounds like a wuss. I like androgyny; I am a huge Bowie fan. Bowie at one point was very androgynous, but he was never a wuss; if anything he was more of a rebellious bad-ass. A man singing like a woman connotes wussiness, while a woman singing like a woman has no wussie connotations at all. Furthermore a woman singing like a man connotes strength, which does not bother me at all.
So:
Androgyny & Ambiguity = Good (or at the very least interesting)
Strength = Good
Wussiness = Bad
My position is not anti-woman, anti-gay, anti-androgynous or anti-anythingelse except anti-wussie. I am anti-wussie. I don't think this makes me behind the times at all... if anything I am ahead of the times. I predict that in the not to distant future the world will tire of its current facination with wussyism. Then you will all have egg on your faces won't you (cowboys are not wussies, which is why I have included one here)
-Chad
Chad,
I'm laughing my a** off! Your considered response, and "intriguing" argument, is so bizarre that it almost makes sense ...and it's also dam funny, so I have to give you points for that.(and a point for the cowboy) I feel like I just read part of a TV sitcom script.
And alux your short, cutting, response to Chad is classic as well! Ah the fun on RP!
ch83575 wrote:
So I actually just gave it some thought. Here is what I came up with:
I hate wussiness (if that is a word). This guy is a wuss, or at the very least he sounds like a wuss. I like androgyny; I am a huge Bowie fan. Bowie at one point was very androgynous, but he was never a wuss; if anything he was more of a rebellious bad-ass. A man singing like a woman connotes wussiness, while a woman singing like a woman has no wussie connotations at all. Furthermore a woman singing like a man connotes strength, which does not bother me at all.
So:
Androgyny & Ambiguity = Good (or at the very least interesting)
Strength = Good
Wussiness = Bad
My position is not anti-woman, anti-gay, anti-androgynous or anti-anythingelse except anti-wussie. I am anti-wussie. I don't think this makes me behind the times at all... if anything I am ahead of the times. I predict that in the not to distant future the world will tire of its current facination with wussyism. Then you will all have egg on your faces won't you (cowboys are not wussies, which is why I have included one here)
-Chad
Essbee wrote:
I am with you all the way. Even after looking I am having a hard time convincing myself that this is a dude. You know how under special conditions an amphibian can change genders? I'm just sayin... maybe?
BTW: I do hate the silversun pickups
What?.....Let me check the calender, yes it is 2009, not 1799. Are you guys for real?
So I actually just gave it some thought. Here is what I came up with:
I hate wussiness (if that is a word). This guy is a wuss, or at the very least he sounds like a wuss. I like androgyny; I am a huge Bowie fan. Bowie at one point was very androgynous, but he was never a wuss; if anything he was more of a rebellious bad-ass. A man singing like a woman connotes wussiness, while a woman singing like a woman has no wussie connotations at all. Furthermore a woman singing like a man connotes strength, which does not bother me at all.
So:
Androgyny & Ambiguity = Good (or at the very least interesting)
Strength = Good
Wussiness = Bad
My position is not anti-woman, anti-gay, anti-androgynous or anti-anythingelse except anti-wussie. I am anti-wussie. I don't think this makes me behind the times at all... if anything I am ahead of the times. I predict that in the not to distant future the world will tire of its current facination with wussyism. Then you will all have egg on your faces won't you (cowboys are not wussies, which is why I have included one here)
-Chad
Essbee wrote:
I am with you all the way. Even after looking I am having a hard time convincing myself that this is a dude. You know how under special conditions an amphibian can change genders? I'm just sayin... maybe?
BTW: I do hate the silversun pickups
What?.....Let me check the calender, yes it is 2009, not 1799. Are you guys for real?
I am with you all the way. Even after looking I am having a hard time convincing myself that this is a dude. You know how under special conditions an amphibian can change genders? I'm just sayin... maybe?
BTW: I do hate the silversun pickups
You must HATE Silversun Pickups then. Their singer has a very feminine quality.
coolpeople_rule wrote:
This is an excellent example of ignorance is bliss. If you did not know it was a guy singing, it would actually be quite enjoyable...because it is a great song!
This is an excellent example of ignorance is bliss. If you did not know it was a guy singing, it would actually be quite enjoyable...because it is a great song!
Agreed. Very nice song. I wish I could sing as well as Mr. Miller here.
This is an excellent example of ignorance is bliss. If you did not know it was a guy singing, it would actually be quite enjoyable...because it is a great song!
Lucinda Williams...but I like this!
perfection
(I just plain love it—not sure why)
.....I think it's just because of the way our brains are wired - minor keys, and more complex chords, just get more of the brain involved. The most beautiful music seems to bring tears of both joy and sadness.....
Like a Mach piece. "Makes you weep instantly." ~Nigel Tufnel
And thanks, nevar23. That's a really interesting quote from Nick Cave.
I wasn't familiar with the term "duende," so thanks for that too. I found an interesting discussion about it here: https://www.answers.com/topic/duende-art.
I liked Nick's discussion about which groups or individuals have duende, though I can't agree with him when he suggests that duende can't survive the modern music industry. I gave at least one example of a current group that, in my opinion, has it, not to mention the fact that Radio Paradise proves its modern existence every day.
I would agree with him, however, that you would be hard-pressed to find duende in today's corporate-controlled, pre-packaged, mainstream music. Artists like Christina Aguilera, Britney Spears, and Beyonce may have talent, and their songs may sometimes be catchy (in small doses), but I can't say that I have ever found their music beautiful.
I don't think that we're suffering from mass depression, although certain musical eras (e.g. Grunge) have tended to represent a general dissatisfaction by some portion of society.
I agree, however, that there appears to be a link between beautiful music, and sad music. Almost all of the music that I consider to be the most beautiful falls into a category that I call sweet-sad.
I think it's just because of the way our brains are wired - minor keys, and more complex chords, just get more of the brain involved. The most beautiful music seems to bring tears of both joy and sadness.
Of course, when you think about it, our brain circuitry must be involved. I could imagine aliens finding it really strange that we would be affected emotionally by combinations of vibrations, something that might strike tham as just math.
It isn't only music. I find the same sweet-sad quality in certain instruments (mellotron, violin, "crying" electric guitar, etc.) and voices (John Wetton of King Crimson, Cat Stevens aka Yusuf Islam, Ray Thomas of The Moody Blues, Annie Haslam of Renaissance, etc.).
There are lots of examples of music with that sweet-sad quality. Some that I can think of off hand include: "It's My Life" by Talk Talk, "Fires (Which Burnt Brightly)" by Procol Harum, "In My Time Of Need" by Opeth, "Edelweiss" from The Sound of Music, "Duetto (The Flower Duet)" from the opera Lakme, and (my favorite) Beethoven's "Symphony No. 7, Second Movement." (Note: Those links take you to YouTube, so don't click them if you can't live without your Radio Paradise fix for a few moments.)
Excellent post. Nick Cave gave an interesting talk that addresses the whole topic as it applies to love songs. An excerpt:
"In his brilliant lecture entitled "The Theory and Function of Duende" Frederico Garcia Lorca attempts to shed some light on the eerie and inexplicable sadness that lives in the heart of certain works of art. "All that has dark sound has duende", he says, "that mysterious power that everyone feels but no philosopher can explain." In contemporary rock music, the area in which I operate, music seems less inclined to have its soul, restless and quivering, the sadness that Lorca talks about. Excitement, often; anger, sometimes: but true sadness, rarely, Bob Dylan has always had it. Leonard Cohen deals specifically in it. It pursues Van Morrison like a black dog and though he tries to he cannot escape it. Tom Waits and Neil Young can summon it. It haunts Polly Harvey. My friend and Dirty 3 have it by the bucket load. The band Spiritualised are excited by it. Tindersticks desperately want it, but all in all it would appear that duende is too fragile to survive the brutality of technology and the ever increasing acceleration of the music industry. Perhaps there is just no money in sadness, no dollars in duende. Sadness or duende needs space to breathe. Melancholy hates haste and floats in silence. It must be handled with care."
The whole thing: https://everything2.com/index.pl?node_id=800055
I don't think that we're suffering from mass depression, although certain musical eras (e.g. Grunge) have tended to represent a general dissatisfaction by some portion of society.
I agree, however, that there appears to be a link between beautiful music, and sad music. Almost all of the music that I consider to be the most beautiful falls into a category that I call sweet-sad.
I think it's just because of the way our brains are wired - minor keys, and more complex chords, just get more of the brain involved. The most beautiful music seems to bring tears of both joy and sadness.
Of course, when you think about it, our brain circuitry must be involved. I could imagine aliens finding it really strange that we would be affected emotionally by combinations of vibrations, something that might strike tham as just math.
It isn't only music. I find the same sweet-sad quality in certain instruments (mellotron, violin, "crying" electric guitar, etc.) and voices (John Wetton of King Crimson, Cat Stevens aka Yusuf Islam, Ray Thomas of The Moody Blues, Annie Haslam of Renaissance, etc.).
There are lots of examples of music with that sweet-sad quality. Some that I can think of off hand include: "It's My Life" by Talk Talk, "Fires (Which Burnt Brightly)" by Procol Harum, "In My Time Of Need" by Opeth, "Edelweiss" from The Sound of Music, "Duetto (The Flower Duet)" from the opera Lakme, and (my favorite) Beethoven's "Symphony No. 7, Second Movement." (Note: Those links take you to YouTube, so don't click them if you can't live without your Radio Paradise fix for a few moments.)
An interesting set of propositions...nicely elaborated upon, ProgFusion. Thank you.
I think if we look back on this era from the future we will see a generation which suffered from mass depression.
I don't think that we're suffering from mass depression, although certain musical eras (e.g. Grunge) have tended to represent a general dissatisfaction by some portion of society.
I agree, however, that there appears to be a link between beautiful music, and sad music. Almost all of the music that I consider to be the most beautiful falls into a category that I call sweet-sad.
I think it's just because of the way our brains are wired - minor keys, and more complex chords, just get more of the brain involved. The most beautiful music seems to bring tears of both joy and sadness.
Of course, when you think about it, our brain circuitry must be involved. I could imagine aliens finding it really strange that we would be affected emotionally by combinations of vibrations, something that might strike tham as just math.
It isn't only music. I find the same sweet-sad quality in certain instruments (mellotron, violin, "crying" electric guitar, etc.) and voices (John Wetton of King Crimson, Cat Stevens aka Yusuf Islam, Ray Thomas of The Moody Blues, Annie Haslam of Renaissance, etc.).
There are lots of examples of music with that sweet-sad quality. Some that I can think of off hand include: "It's My Life" by Talk Talk, "Fires (Which Burnt Brightly)" by Procol Harum, "In My Time Of Need" by Opeth, "Edelweiss" from The Sound of Music, "Duetto (The Flower Duet)" from the opera Lakme, and (my favorite) Beethoven's "Symphony No. 7, Second Movement." (Note: Those links take you to YouTube, so don't click them if you can't live without your Radio Paradise fix for a few moments.)
Nick Drake, for instance. His voice resonates so strongly inside.
Smashing Pumpkins.
I think if we look back on this era from the future we will see a generation which suffered from mass depression.
There is nothing to do anymore. Except shop.
Or make great radio stations on the Intertubes.
Keep on keeping on.
and it really does sound like Lucinda.
Always a good thing.
Nice tune. I'm hearing "One of Us" (written by Eric Bazilian) as performed by Joan Osbourne (circa '94)...
this was an 8 for me on first listen and it's up to 9 now
I agree! I went to the website and there are a couple more songs you can listen to there, they are also good. This guy is a real RP find for me. Well done Bill and Rebecca.
btw- his other stuff is really good too.
Always a good thing.
ScopArch wrote:
and I could have sworn it was Lucinda Williams!
this was an 8 for me on first listen and it's up to 9 now