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Total ratings: 3013
Length: 3:47
Plays (last 30 days): 2
Behind the wheel
With your arm around your sweet one
In your oldsmobile
Barrelin' down the boulevard
You're looking for the heart of saturday night
And you got paid on friday
And your pockets are jinglin'
And you see the lights
You get all tinglin' cause you're cruisin' with a 6
And you're looking for the heart of saturday night
Then you comb your hair
Shave your face
Tryin' to wipe out ev'ry trace
All the other days
In the week you know that this'll be the saturday
You're reachin' your peak
Stoppin' on the red
You're goin' on the green
'cause tonight'll be like nothin'
You've ever seen
And you're barrelin' down the boulevard
Lookin' for the heart of saturday night
Tell me is the crack of the poolballs, neon buzzin?
Telephone's ringin'; it's your second cousin
Is it the barmaid that's smilin' from the corner of her eye?
Magic of the melancholy tear in your eye.
Makes it kind of quiver down in the core
'cause you're dreamin' of them saturdays that came before
And now you're stumblin'
You're stumblin' onto the heart of saturday night
Well you gassed her up
And you're behind the wheel
With your arm around your sweet one
In your oldsmobile
Barrellin' down the boulevard,
You're lookin' for the heart of saturday night
Is the crack of the poolballs, neon buzzin?
Telephone's ringin'; it's your second cousin
And the barmaid is smilin' from the corner of her eye
Magic of the melancholy tear in your eye.
Makes it kind of special down in the core
And you're dreamin' of them saturdays that came before
It's found you stumblin'
Stumblin' onto the heart of saturday night
And you're stumblin'
Stumblin onto the heart of saturday night
Is there any song by Tom Waits that doesn't make you feel like a character in a novel set in NYC, stumbling around at midnight looking to sober up with a friend?
Well, except that any character in a Tom Waits song is just hitting their drinking stride around midnight.
They might start to think about sobering up when the morning sun first peeks over the horizon. ; )
This is great, but every time I hear it, I want to hear Holly Cole's version more!
Great version! Shawn Colvin does an excellent rendition as well... although I almost choke when I hear her sing 'comb your hair, shave your legs...'
Aside from that - Colvin's is an excellent version.
I love that whole album of Waits covers (Temptation), but I really love her version of Empty Pockets (Purple Avenue) from Blame it on my Youth. I only got to see her once, back in the early 90s when her trio with Aaron Davis and Rob Piltch played a tiny club in Toronto. It was an awesome show.
Thank you for this lead. Not comparing Tom to Holly - two different singers for two different moods. Fantastic cover...
Reminiscent of the songs on Closing Time, before he completely blew out his voice. Gave it an 8…
When did Waits ever blow out his voice? It's just aged like good whiskey.
This is great, but every time I hear it, I want to hear Holly Cole's version more!
I love that whole album of Waits covers (Temptation), but I really love her version of Empty Pockets (Purple Avenue) from Blame it on my Youth. I only got to see her once, back in the early 90s when her trio with Aaron Davis and Rob Piltch played a tiny club in Toronto. It was an awesome show.
Three years later.
Three years older.
I'm witcha man.
Recalling the past can cause twinges of the heart muscle, eh? Almost Too Close to the core on this one by Tom Waits!
I must have admit it took awhile for me to like Tom Waits, but the more I heard him the more i began to like his stuff alot.
it's an acquired taste. Same happened to me.
know that?
He always seems to know, man. Bill just has that knack...
Three years later.
Three years older.
I'm witcha man.
Thanks, Tom, for the perfect soundtrack of a "wasted" year.
I think that cigarette in his mouth might be telling
I think he intentionally adopted the style and people responded well to it so it became his thing.
I like him a lot, but personally, I would rather he backed off the gravelly shtick.
dude that's Madeline Kahn ; )
She looks tired!
know that?
I think that cigarette in his mouth might be telling
dude that's Madeline Kahn ; )
Sure, the regular smokehouse/whiskeybarrel/traffic accident voice has it's own, ahem...properties, however you can actually listen to this without having to simultaneously run your nails over a blackboard to offset the audio trauma.
"Waits post Betty Ford"? This is from his second album, from 1974, when he was likely drinking and smoking pretty heavily, and before his voice took on its more commonly-known characteristics. Before he slept in the stable and woke up a little hoarse.
Pre or Post Ford clinic, you both made me laugh with this one. And (without looking) I'm guessing this is his highest rated song at 8+
Peace, Love, RocknRoll, Drugs and Sex and Happiness in whatever order!
Sure, the regular smokehouse/whiskeybarrel/traffic accident voice has it's own, ahem...properties, however you can actually listen to this without having to simultaneously run your nails over a blackboard to offset the audio trauma.
"Waits post Betty Ford"? This is from his second album, from 1974, when he was likely drinking and smoking pretty heavily, and before his voice took on its more commonly-known characteristics. Before he slept in the stable and woke up a little hoarse.
Sure, the regular smokehouse/whiskeybarrel/traffic accident voice has it's own, ahem...properties, however you can actually listen to this without having to simultaneously run your nails over a blackboard to offset the audio trauma.
nice way of putting it. yep.
Old soul.
1. Old soul, scary bukowsquiesque soul. But beautiful mouse pad—thanks for the photo.
2. What is he building in there?
3. Big Time brought new meaning to the psychedelic concert film.
miss you so much, Cynaera...
everybody in my alien space craft loves this song... can't speak for Madam Blue...
Good riddance, Mister Green.
And man, he sounds so *young* here.......
Old soul.
"diamonds on the windshield" of life....
GREAT SOUND..
yessiree, and a smoke and some raspy good stories (jeesh, I'ma lifelong non-smoker)
TuneAgeWhereWoof wrote:
My fantasy dinner party invite list definitely has Tom on it. I'll sit him next to Angelo Badalamenti
oldsaxon wrote:
My fantasy dinner party invite list definitely has Tom on it. I'll sit him next to Angelo Badalamenti
Excellent observation. Interesting to hear a young Tom actually trying to sing instead of bellowing like a half-deaf wino.
Fell for that too.
djblitz wrote:
Tom Waits minus heart minus soul plus unwarranted success = Springsteen
djblitz wrote:
God of Shite... for sure
My fantasy dinner party invite list definitely has Tom on it. I'll sit him next to Angelo Badalamenti
Down by the law of your sound, Tommy!
All grandfathers in my therapy-room like this song!
Thirded. Tom is a true original and he doesn't pander to anyone.
Did you ever hear him speak? He's got a pretty gravely voice, perhaps from smoking for many years. If you don't like Tom Waits' vocal stylizations, that's your opinion, but "stylizations" are, by definition, something "put on for effect". Plenty of folks do not like the way he sings, but that's his style or character, and it conveys a great deal of feeling and emotion - particularly in songs such as "Ruby's Arms" or "Muriel". He's been professionally writing, recording, and singing music for almost forty years, and apparently that's the way he wants to sing.
Well spoken. I agree, Tom is Tom. He is not affecting any style, he is not trying to be anything. He is who he is, and he is fully authentic. Like him, or don't, but I do agree it would be a mistake for anyone to think Mr. Waits is affecting a syle.
Danno
Same here, I heard Bill announce Tom Waits and as I frantically looked for the mute button the song started. This is good...what the heck happened to his voice on his later recordings?
Yes, I'm one of the many who respect Tom Waits, but haven't yet acquired a taste for his voice , but this is nice. His lyrics are trenchant, as always.
Same here, I heard Bill announce Tom Waits and as I frantically looked for the mute button the song started. This is good...what the heck happened to his voice on his later recordings?
you read my mind !
Did you ever hear him speak? He's got a pretty gravely voice, perhaps from smoking for many years. If you don't like Tom Waits' vocal stylizations, that's your opinion, but stylizations" are, by definition, something "put on for effect". Plenty of folks do not like the way he sings, but that's his style or character, and it conveys a great deal of feeling and emotion - particularly in songs such as "Ruby's Arms" or "Muriel". He's been professionally writing, recording, and singing music for almost forty years, and apparently that's the way he wants to sing.
Here's my take on Waits's voice(s): It's not his "gravel" that has always bothered me, but the fact that I think it was/is inauthentic. THIS song is (I think) his "real" voice, before he started manufacturing the "gravel," for reasons that are beyond me. I've always thought he was trying to sound like an old Black man. Maybe Armstrong? Armstrong, Maybelle, others — their voices worked because they were THEIR voices. But I agree, he's one of our best songwriters, and didn't/doesn't have a bad voice; we just didn't get to hear the real him after a point. I don't know what he's up to these days.
NPR just did a segment on Waits and speaks directly about his distinctive and always changing sound. I think it might explain his sound as both his style and as a story-telling technique.
https://www.npr.org/2011/03/04/134236977/tom-waits-a-raspy-voice-heads-to-the-hall-of-fame
But yes, sometimes it is too much more me too : )
I guess I should add that I'm a singer, so I think I can tell when a vocal stylization is "put on" for effect. Waits shouldn't have.
Did you ever hear him speak? He's got a pretty gravely voice, perhaps from smoking for many years. If you don't like Tom Waits' vocal stylizations, that's your opinion, but "stylizations" are, by definition, something "put on for effect". Plenty of folks do not like the way he sings, but that's his style or character, and it conveys a great deal of feeling and emotion - particularly in songs such as "Ruby's Arms" or "Muriel". He's been professionally writing, recording, and singing music for almost forty years, and apparently that's the way he wants to sing.
Here's my take on Waits's voice(s): It's not his "gravel" that has always bothered me, but the fact that I think it was/is inauthentic. THIS song is (I think) his "real" voice, before he started manufacturing the "gravel," for reasons that are beyond me. I've always thought he was trying to sound like an old Black man. Maybe Armstrong? Armstrong, Maybelle, others — their voices worked because they were THEIR voices. But I agree, he's one of our best songwriters, and didn't/doesn't have a bad voice; we just didn't get to hear the real him after a point. I don't know what he's up to these days.
I guess I should add that I'm a singer, so I think I can tell when a vocal stylization is "put on" for effect. Waits shouldn't have.
I never understood why that wasn't a problem for Louis Armstrong or Big Maybelle, but most people to whom I've exposed Tom Waits for the first time were so put off by his voice, they just couldn't get past it at all. These days I just say "despite being one of the worst singers of all time, he's one of the most influential songwriters."
Here's my take on Waits's voice(s): It's not his "gravel" that has always bothered me, but the fact that I think it was/is inauthentic. THIS song is (I think) his "real" voice, before he started manufacturing the "gravel," for reasons that are beyond me. I've always thought he was trying to sound like an old Black man. Maybe Armstrong? Armstrong, Maybelle, others — their voices worked because they were THEIR voices. But I agree, he's one of our best songwriters, and didn't/doesn't have a bad voice; we just didn't get to hear the real him after a point. I don't know what he's up to these days.
ha! yes, its a bit melancholy. Love it.
coffee and cigarettes by ~nothought
morganne ©2007-2010 ~nothought
tom waits in the movie
coffee&cigarettes.
use|pencil(HB, B, 2B, 4B, 8B)
time|3-4hrs
The beauty of quitting is, now that I've quit, I can have one, 'cause I've quit. ~tom waits
.
beautiful
A perfect moment.
Thank you so much.
I never understood why that wasn't a problem for Louis Armstrong or Big Maybelle, but most people to whom I've exposed Tom Waits for the first time were so put off by his voice, they just couldn't get past it at all. These days I just say "despite being one of the worst singers of all time, he's one of the most influential songwriters."
Cynaera wrote:
Like Bob Dylan..
coffee and cigarettes by ~nothought
morganne ©2007-2010 ~nothought
tom waits in the movie
coffee&cigarettes.
use|pencil(HB, B, 2B, 4B, 8B)
time|3-4hrs
The beauty of quitting is, now that I've quit, I can have one, 'cause I've quit. ~tom waits
.
Booze and vaginas. Take my word for it, the education never ends.