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If I have to go
You'll be thinking of me
Somehow I will know
Someday when I'm lonely
Wishing you weren't so far away
Then I will remember
Things we said today
You say you'll be mine, girl
Till the end of time
These days such a kind girl
Seems so hard to find
Someday when we're dreaming
Deep in love, not a lot to say
Then we will remember
Things we said today
Me, I'm just the lucky kind
Love to hear you say that love is luck
And though we may be blind
Love is here to stay and that's enough
To make you mine, girl
Be the only one
Love me all the time, girl
We'll go on and on
Someday when we're dreaming
Deep in love, not a lot to say
Then we will remember
Things we said today
Me, I'm just the lucky kind
Love to hear you say that love is luck
Though we may be blind
Love is here to stay and that's enough
To make you mine, girl
Be the only one
Love me all the time, girl
We'll go on and on
Someday when we're dreaming
Deep in love, not a lot to say
Then we will remember
Things we said today
Song lyrics and poetry are affective dependent upon the person, their history, their situation and their hopes.
Writers never really know how their message will be received. Some songs arrive just as the writer meant. Others arrive at times melancholy, wistful, joyous and sad... Words are symbols that carry thoughts but are never as specific as we wished... or maybe they are. If we could convey our pure thoughts, with history, emotions, hopes and feelings, would we-? Are we ready to share that much of ourelf-?
Are we ready to accept that much of another-? Can we trust another and are we really that trustworthy-? Complete trust and honesty with another-? It seems childish fantasy. Age and experience have taught that betrayal of confidence is cheap and easy.
I have always loved this song for the hope it carries. I also liked "Words of Love" that was the B-side of "8 Days A Week" way-back-when.
We spend a lot of our life seeking another we can trust and so often fail their self-same test of us. Going through life lonely and alone is our biggest motivator. We say and do so much to avoid being alone. We will say, do, surrender anything for love, isn't that just another way of saying trust and companionship...?
Thanks for the shot of Mary. It will prompt me to pull out the vinyl I have of hers.
She at one time lived up Highway 1 in Cambria. 20 minutes from where I'm writing this. Not sure where she is now or if she still performs? Anyone know? Looks like her website last update was 2013.
Sadly this answers some of your questions (and her website now appears to be offline):
Fundraiser Offers Support to Santa Cruz Folk Scene's Mary McCaslin (goodtimes.sc)
Great covers do not simply sing the same notes and play the music in roughly the same manner. Yes, the vocalists and performers are inherently different (they're different people), but there needs to be more than that. Otherwise, the cover will never stand on its own and is merely mimicry.
Examples of great covers:
Pretty Woman - Van Halen
Ziggy Stardust - Bauhaus
China Girl - David Bowie
Oddly, I think I heard the original here yesterday. She does some cool, unexpected covers.
She at one time lived up Highway 1 in Cambria. 20 minutes from where I'm writing this. Not sure where she is now or if she still performs? Anyone know? Looks like her website last update was 2013.
Mary has lived in the Santa Cruz area for quite a while -- at least 25 years or so.
This is a good one, tho' I'm partial to 801's "Tomorrow Never Knows" and Gomez's "Fixing a Hole." Anyone else remember Matthews Southern Comfort's version of "Hide Your Love Away?"
No. but I do remember a version of HYLA by The Silky, late 60's maybe that charted. Kinda Muzak like but it still got airplay. Carpenters Ticket to Ride? I used to think Beatle music was locked into the only way it should never be. I've grown some since then. I now think of the original artist performance as a source, not an ending. Look at Revolution, which is the original and which is the "cover" version? Which is "better"? Or watch the film Across The Universe.
She at one time lived up Highway 1 in Cambria. 20 minutes from where I'm writing this. Not sure where she is now or if she still performs? Anyone know? Looks like her website last update was 2013.
I wonder when she lived in Cambria? I lived there in the 70's.... and still spend a lot of time on the Central Coast.
She at one time lived up Highway 1 in Cambria. 20 minutes from where I'm writing this. Not sure where she is now or if she still performs? Anyone know? Looks like her website last update was 2013.
I love this version of the Beatles "things we said today". When I play the song on guitar this is the version I try to emulate, Mary nails it.
Ditto.
I love this version of the Beatles "things we said today". When I play the song on guitar this is the version I try to emulate, Mary nails it.
i do the same thing!
True!
I love this version of the Beatles "things we said today". When I play the song on guitar this is the version I try to emulate, Mary nails it.
One band I'm in covers I've Just Seen a Face as kind of a faux newgrass/bluegrass (I say "faux" because I can't remotely claim to be a bluegrass player). Pretty straight arrangement - works great. It's like they wrote a bluegrass tune, but didn't know it. We have a lot of people ask "Whose tune is that?" because they *know* they know it, but they can't place it.
Another band I'm in covers I Feel Fine, in a jazz / bossa nova groove, with the melody slightly altered on the verse. Also, I think, works great - not too much cheese. The kind of thing that, if people know the tune, they appreciate. If they don't know the tune, they're like, hey, great tune.
So - too much about me. But my point - I think this cover is kind of interesting.
I appear to be following in your footsteps, 2+ years later.
Song lyrics and poetry are affective dependent upon the person, their history, their situation and their hopes.
Writers never really know how their message will be received. Some songs arrive just as the writer meant. Others arrive at times melancholy, wistful, joyous and sad... Words are symbols that carry thoughts but are never as specific as we wished... or maybe they are. If we could convey our pure thoughts, with history, emotions, hopes and feelings, would we-? Are we ready to share that much of ourelf-?
Are we ready to accept that much of another-? Can we trust another and are we really that trustworthy-? Complete trust and honesty with another-? It seems childish fantasy. Age and experience have taught that betrayal of confidence is cheap and easy.
I have always loved this song for the hope it carries. I also liked "Words of Love" that was the B-side of "8 Days A Week" way-back-when.
We spend a lot of our life seeking another we can trust and so often fail their self-same test of us. Going through life lonely and alone is our biggest motivator. We say and do so much to avoid being alone. We will say, do, surrender anything for love, isn't that just another way of saying trust and companionship...?
https://en.wikipedia.org/wiki/Things_We_Said_Today
McCartney wrote the song in May 1964 while cruising the Caribbean aboard a yacht called Happy Days with his then-girlfriend Jane Asher. Music critic Ian MacDonald said, "The sombre lyric—provoked by the frustrating interruptions of a relationship between two career people—matches the lowering gloom of the music."
The song is one of three main compositions (along with "And I Love Her" and "Can't Buy Me Love") that Paul McCartney wrote for the film. Recorded in advance of film production for lip-synching reasons, "Things We Said Today" has a reverse nostalgia premise. McCartney said, "I wrote this on acoustic. It was a slightly nostalgic thing already, a future nostalgia. We’ll remember the things we said today, sometime in the future, so the song projects itself into the future."
McCartney was particularly satisfied with his chord change, F major to B flat major—instead of the more obvious F minor—which first occurs beneath "…wishing you weren't so far away" in the song. John Lennonaccentuates the strident acoustic guitar strumming by triple hitting a low A note on a piano. The tempo of the song moves from ballad to rock and back with a minor to major key change during its middle eight section.
Recording and performingThe Beatles recorded "Things We Said Today" in three takes on 2 June 1964. Take one was a false start, take two was the rhythm track, and take three was used for overdubs of the main vocal, tambourine, and piano. According to author and Beatle historianMark Lewisohn, the piano was supposed to be omitted from the mix but is audible owing to leakage onto other microphones during the recording of the overdubs, but MacDonald was sceptical about that conclusion.
The group also recorded "Things We Said Today" twice for BBC radio, on 14 and 17 July 1964. The first, a performance for the Top Gear radio show, was featured on the Live at the BBC album in 1994. These performances took place around the same time as the theatrical release of the Beatles' film A Hard Day's Night, and on the 14 July performance the song was erroneously introduced as "one of their film songs." The song was not in the film, but was included on Side 2, the "non-soundtrack" side of the British A Hard Day's Night LP.
The Beatles included "Things We Said Today" as part of their live set during their 1964 tour of the United States and Canada. George Harrison sang harmony vocals alongside Paul McCartney during the performances.
Nice cover.
Having put out 24 covers of songs by well known (Berry, Richard, Holly, Miracles, Shirelles) and obscure (Arthur Alexander, Barrett Strong, Larry Williams) artists and composers, in 1963 to 1965 alone, the Beatles themselves would have no issue with covers.
This one was decent, not great, but good.
I have to agree with this. Nice rendition, not really my cup of tea but good. Some of the Beatles tunes are can be rearranged to make them better others not so much. This ones hit or miss.
I agree NOT
What would those "sufficient chops" be to record a Beatles' tune? It's a folk arrangement from an artist who has been recording music for about 45 years.
Here Here Proclivities........
Having put out 24 covers of songs by well known (Berry, Richard, Holly, Miracles, Shirelles) and obscure (Arthur Alexander, Barrett Strong, Larry Williams) artists and composers, in 1963 to 1965 alone, the Beatles themselves would have no issue with covers.
This one was decent, not great, but good.
Fair point.
Having put out 24 covers of songs by well known (Berry, Richard, Holly, Miracles, Shirelles) and obscure (Arthur Alexander, Barrett Strong, Larry Williams) artists and composers, in 1963 to 1965 alone, the Beatles themselves would have no issue with covers.
This one was decent, not great, but good.
Mary McCaslin has put her spin on this song and made a good job of it. If we could only listen to and like the originals this would be a boring old world.
She gets my vote for this rendition.
My hearty agreement with you, sir.
Mary McCaslin has put her spin on this song and made a good job of it. If we could only listen to and like the originals this would be a boring old world.
She gets my vote for this rendition.
I went through Beatlemania so I feel covers are a tribute to the originals-for what this is-acoustic folky-countrish-it is quite good!
Quite a feat.
I'd really like to hear some Carpenters here.
What would those "sufficient chops" be to record a Beatles' tune? It's a folk arrangement from an artist who has been recording music for about 45 years.
You are full of "i", Roonie!
Leave Sinead alone - she is a holy potsmoking divorcee on diet!
This? Well, it reminds me of the cousins et al at family reunions who haul out an instrument... Pleasant enough if enough people have had enough beer to sing along. Otherwise... just say "No".
Still, it doesn't come close to rock bottom. That dubious honor I've reserved for only one song so far: Ry Cooder's cover of It's All Over Now.
I was going to comment about the countless Beatle tunes in the Muzak collection. Changed my mind, though, to point out that Ms. McCaslin certainly has the chops to interpret (ie, cover) this song in her own folk-music style. In fact, I'd say she demonstrates significant command of her genre on this recording, therefore lending a degree of respect to the tune (and it's composer) that seems — to me, anyway — tragically missing from the elevator music versions.
And I don't get the point of view that no one should cover the Beatles because it's somehow too sacred. It does not diminish or insult the Beatles' talent or accomplishments for another artist to take a Beatles song and put her own spin on it, as long as it's well done.
I think you've missed it all. What do you suppose this song sounded like as the Beatles wrote it, or performed it acoustically for the first time? What do you think it would have sounded like a thousand years ago? The "folkification" of this tune reminds one well of the roots of the music and the influences insinuating themselves into its creation. Listen to some Fairport Convention, and then spout off about how they've brought nothing to the music.
I could not agree more. Make. It. Stop. PLEASE!
is right!
I could not agree more. Make. It. Stop. PLEASE!
tapatia1072 wrote:
This is a good one, tho' I'm partial to 801's "Tomorrow Never Knows" and Gomez's "Fixing a Hole." Anyone else remember Matthews Southern Comfort's version of "Hide Your Love Away?"
Never heard Matthew's Southern Comfort version of that; but can someone upload his version of "Woodstock?" ( I don't know how to upload yet.)
Harry can.....Nilsson. that is!!!!!
Joe Cocker doing "With a Little Help from My Friends" is pretty darn good. And Richie Havens' version of "Here Comes the Sun" isn't bad either.
This is a good one, tho' I'm partial to 801's "Tomorrow Never Knows" and Gomez's "Fixing a Hole." Anyone else remember Matthews Southern Comfort's version of "Hide Your Love Away?"
No you can't, but it's still a respectable cover. Pretty.
Yep
No you can't, but it's still a respectable cover. Pretty.
Actually you would be surprised the number of covers of Beatles tunes that are done by bluegrass groups.
Yeah, me too. A very understated cover, but her voice shines in this.
Also, rather oddly, I just heard this in my car about 10 minutes ago (the original, that is).
https://www.youtube.com/watch?v=JU-XUeDDXE0 Apparently she's still hammering the bars and notes in Dublin