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With a head full of snow
With a head full of snow
In the window there's a face you know
Don't the nights pass slow
Don't the nights pass slow
The sound of strangers sending nothing to my mind
Just another mad mad day on the road
I am just living to be lying by your side
But I'm just about a moonlight mile on down the road
Made a rag pile of my shiny clothes
Gonna warm my bones
Gonna warm my bones
I got silence on my radio
Let the air waves flow
Let the air waves flow
Oh I'm sleeping under strange strange skies
Just another mad mad day on the road
My dreams is fading down the railway line
I'm just about a moonlight mile down the road
I'm hiding sister and I'm dreaming
I'm riding down your moonlight mile
I'm hiding baby and I'm dreaming
I'm riding down your moonlight mile
I'm riding down you moonlight mile
Let it go now, come on up babe
Yeah, let it go now
Yeah, flow now baby
Yeah move on now yeah
Yeah, I'm coming home
Cause, I'm just about a moonlight mile on down the road
Down the road, down the road
Eighty years and going strong……just like a lot us…..holy shit I am 80
It beats the alternative
Here's to many more
so, so beautiful.
William, we need a repeat button so we can listen to songs like this one a second or maybe third time.
Remember when AM radio did "Instant Replay!, Instant Replay! for the current hot tune?
ROCK'S GREATEST BAND
Villa Nellcote
1971
I'll bite.
Lennon/McCartney could indeed rock -- there are plenty of examples of their mastery of blues and blues/rock. They differed from the Stones in image, temperament, and their range of musical ability. The Beatles wrote songs in many genres while the Stones stuck to blues with occasional experiments in American Country and Western.
Both groups were very good at what they did; they simply did different things.
Hey, don't forget that the Stones dabbled in disco and reggae!
Perhaps they were in different "leagues". Lennon and McCartney were never capable of writing the type of rock/R&B that Jagger and Richards did - like the stuff on this album in particular.
I'll bite.
Lennon/McCartney could indeed rock -- there are plenty of examples of their mastery of blues and blues/rock. They differed from the Stones in image, temperament, and their range of musical ability. The Beatles wrote songs in many genres while the Stones stuck to blues with occasional experiments in American Country and Western.
Both groups were very good at what they did; they simply did different things.
If I recall, Andy Warhol was responsible for the cover.
Perhaps they were in different "leagues". Lennon and McCartney were never capable of writing the type of rock/R&B that Jagger and Richards did - like the stuff on this album in particular.
People like to push this idea that the Beatles couldn't rock. I won't argue that they weren't re-interpreters of the blues like the Stones putting out raw, down dirty R&B/rock. But they could rock. Just look at "Revolution" or "Helter Skelter".
The comparisons are apples and oranges. Love them both.
This post is obviously cast out here to instigate... but I'll bite.
Your basic contention is that Lennon and McCartney, who formed the Beatles in 1960 and released their first single written by the band in 1962, are somehow in a different "league" from The Rolling Stones who formed in 1962 and didn't write their first song until 1963. Your contention also requires believing that the Beatles were GREAT song writers in 1962, when they were just learning the trade themselves. (Love Me Do is a seminal rock and roll song, but great writing it is not).
The Beatles and the Stones had a great relationship, as is evidenced by the former's generous offering of the song in the first place. It was really only cranks who needed to contrast the two bands and invent an adversarial relationship that lead to criticisms like the one baselessly leveled here.
The song was I Wanna Be Your Man. The Rolling Stones re-arranged the song before recording it. So the case could be made that it isn't entirely the song they were handed by Lennon/McCartney. Apparently the song needed some "toughening" to make it worthy of the band.
Bill Wyman: "We kind of learned it pretty quickly 'cause there wasn't that much to learn. Then Brian got his slide out, his steel (guitar) out and dadaw ... dadaw ... and we said, 'Yeah, that's better, dirty it up a bit and bash it out', and we kind of completely turned the song around and made it much more tough, Stones- and Elmore James-like."
There is room for both; Beatles and The Stones were both great and I have no problem with that.
They were more Rock and less Pop than the Beatles.
Silly to compare further than that.
Top 2?
Top 3 for sure.
Perhaps they were in different "leagues". Lennon and McCartney were never capable of writing the type of rock/R&B that Jagger and Richards did - like the stuff on this album in particular.
Absoluuuuutely
Perhaps they were in different "leagues". Lennon and McCartney were never capable of writing the type of rock/R&B that Jagger and Richards did - like the stuff on this album in particular.
Like Rock-n-Roll should be.
I didn't appreciate them so much "back in the day" but after seeing how much they explored styles and influences, I understand a bit better I guess.
This post is obviously cast out here to instigate... but I'll bite.
Your basic contention is that Lennon and McCartney, who formed the Beatles in 1960 and released their first single written by the band in 1962, are somehow in a different "league" from The Rolling Stones who formed in 1962 and didn't write their first song until 1963. Your contention also requires believing that the Beatles were GREAT song writers in 1962, when they were just learning the trade themselves. (Love Me Do is a seminal rock and roll song, but great writing it is not).
The Beatles and the Stones had a great relationship, as is evidenced by the former's generous offering of the song in the first place. It was really only cranks who needed to contrast the two bands and invent an adversarial relationship that lead to criticisms like the one baselessly leveled here.
The song was I Wanna Be Your Man. The Rolling Stones re-arranged the song before recording it. So the case could be made that it isn't entirely the song they were handed by Lennon/McCartney. Apparently the song needed some "toughening" to make it worthy of the band.
Bill Wyman: "We kind of learned it pretty quickly 'cause there wasn't that much to learn. Then Brian got his slide out, his steel (guitar) out and dadaw ... dadaw ... and we said, 'Yeah, that's better, dirty it up a bit and bash it out', and we kind of completely turned the song around and made it much more tough, Stones- and Elmore James-like."
Along with Saint of Me
the Beatles were no more as of 1969
the Rolling Stones were just an AM-radio hit single band until December of 1968 with the release of 'Beggar's Banquet'
the Beatles made great albums from the beginning with 'Please Please Me', released March 1963
This comment makes little to zero sense. The Beatles and Stones were both hit singles bands the first few years of their careers because the album as a concept did not really exist at that time. Both of them created 33rpm discs that were filled with great singles. The Beatles had more self written material in 63-64 (mostly because the Stones didn't come along until 64 and spent more time paying homage to their heroes in American R&B), but by 65 the Stones were turning out hits just as prolifically. Both Aftermath and Between The Buttons in '66 were a fantastic albums fully 2 years before Beggar's Banquet AND went head-to-head with Rubber Soul and Revolver that year.
I mean this as no disrespect to the Beatles whatsoever. They will always be one of my favorite bands. I make these points mostly because it's so laughable to hear people make fools of themselves with comparisons that attempt to lift one over the other.
Also: 6 of 14 songs on Please, Please Me were covers. The album was never envisioned as such and was a rush-released collection of tracks in the UK in an attempt to take advantage of the recent success of the SINGLES: Please, Please Me and Love Me Do. The "album" was not released in the United States. American fans had to wait until 1964 for Introducing The Beatles to be released with a shorter track listing.
Let the air waves flow…
not sure they're sounding healthy here
Ha ha. Nice. It looks like they're all going to outlive the lot of us ....
...and not the bulge?
46 years later, I hope they've gotten over it by now!
If only we were all the best part of 50 years younger... I used to sound a lot healthier then, too.
Fabulous album. 10 for sure.
not sure they're sounding healthy here
If only we were all the best part of 50 years younger... I used to sound a lot healthier then, too.
Fabulous album. 10 for sure.
Stones and Led Zeppelin yes. Beatles no. Beatles generally produced nursery rhymes with repeditive chorus lines.
Ah, you poor gal!
Around the time this came out I had a summer job babysitting a kid who was staying with his grandmother. She needed help burning off his energy. Everyday we would ride our bikes over to the park, climb a few trees and watch the same puppet show some college kids were putting on. He got upset if I suggested doing anything different.
Anyway, his grandmother lent me this album for a couple of weeks. I'm not a big Stones fan but, ever since, I've had a fondness for this and for cool grandmas.
I think Mick might beg to differ.... https://www.believermag.com/issues/200706/?read=article_mcmillian
In the window,
There's a face you know ~
Off of my favorite Stones album.
always good idea to tell people how they should think!
Let the air waves flow
Both bands were great, and both had their missteps.
It's best not to embarrass yourself with laughable hyperbole.
Amen to that. Very so.
But I'll take Abbey Road, etc. over Exile on Main St., etc. almost anyday.
the Beatles were no more as of 1969
the Rolling Stones were just an AM-radio hit single band until December of 1968 with the release of 'Beggar's Banquet'
the Beatles made great albums from the beginning with 'Please Please Me', released March 1963
Both bands were great, and both had their missteps.
It's best not to embarrass yourself with laughable hyperbole.
That is part of the lasting appeal of those three bands, but if you believe that all of today's artists "just play the same song structure, style, and arrangement every time", then you are probably hearing a very limited amount of today's recording artists. Anyhow, great tune.
Stones and Led Zeppelin yes. Beatles no. Beatles generally produced nursery rhymes with repeditive chorus lines.
https://www.wsj.com/articles/mick-jagger-and-moonlight-mile-1432735648
can i get your password to read this article?
https://www.wsj.com/articles/mick-jagger-and-moonlight-mile-1432735648
oh, you said Scheibe... made me stop a second there.
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If it was up your ass, you'd know...
everybody in my alien space craft be slow-dancing buck naked and cross-eyed like Willy Shakes... we love this marvelous classic...
hope life is grand for you right this minute, Kaw...
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That is part of the lasting appeal of those three bands, but if you believe that all of today's artists "just play the same song structure, style, and arrangement every time", then you are probably hearing a very limited amount of today's recording artists. Anyhow, great tune.
Though the song still referenced drugs and the road life of a pop-music celebrity, it really is a rare example of Jagger letting go of his public persona, offering a behind-the-scenes glimpse of the weariness that accompanies the pressures of keeping up appearances as a sex-drugs-and-rock & roll star." Rock critic Robert Christgau said the song, "re-created all the paradoxical distances inherent in erotic love with a power worthy of Yeats, yet could also be interpreted as a cocaine song." This is a reference to the first stanza, which reads, "When the wind blows and the rain feels cold, With a head full of snow..." . It was meant to be about coming down from a cocaine high.
(But it still wouldn't be enough!)
Actually... from 1963 to 2014 (and counting).
You are such a stooge.
<rant>
Actually, it's generally what sets the bands that last apart from all the other bands. There was lots of music before, during and after the era you speak of that was boring, uninspired and written for money not art. There are countless one hit wonders from every decade.
But comparing the bands you mention in contrast to what you "hear today" only shows you're not casting your net wide enough. Maybe what you hear in the malls or on commercial radio fits your description. But there are loads of bands from the '80s, '90s and today that are just as interesting as the Stones, Zep and the Beatles. They may not be as ground-breaking as there aren't as many boundaries to cross and we are more jaded, thus creating a credible new sound is increasingly difficult. Music today is just as rich as it was in the 60s and 70s. A short list of interesting bands:
Radiohead
The Decemberists
Neko case
The New Pornographers
Destroyer
Beck
Wilco
Blur
Damon Albarn
The Hives
Arcade Fire
Saint Vincent
Talking Heads / David Byrne
Bjork
There are loads more, many I haven't heard of, as a listener of this radio station you should recognise that. Whether you like them or not is not the point. For instance, I don't really like Bjork's music, but I recognise its significance.
I get very tired of people looking back at the "golden age". It's too easy.
</rant>
Actually... from 1963 to 2014 (and counting).
Lol! .......no
I realized the other day that these guys have really good lyrics!
I completely agree. From 1963 or so to 1981 they were golden.
Actually... from 1963 to 2014 (and counting).
the older you get, the younger you'll think
I completely agree. From 1963 or so to 1981 they were golden.
the soundtrack of a dream that one is
You can be sorry all you want. You are not forgiven.
The first song the Stones did on Sullivan,s show was "Satisfaction" Ed was shaken when Jagger sang the lyric "girlie action."
Bono considered "Satisfaction" the "perfect" rock song (on recent interview with C.Rose on public broadcasting)..
"Moonlight Mile" is also "The perfect Rock Song" 10 + .... It wasn't 15 min. after the first time I heard this song that I
could play it on the guitar. Is such 'Perfection" alive today ? I think not.... where are
songs like "Stairway to Heaven " "Suite to Judy Blue Eyes " "Purple Haze" "Hotel California" "Cowgirl in the Sand." and so many other "Perfect Songs." Not saying ya had to be there, but it helped... "