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She combs her hair
She's like a rainbow
Coming colors in the air
Oh, everywhere
She comes in colors
She comes in colors everywhere;
She combs her hair
She's like a rainbow
Coming colors in the air
Oh, everywhere
She comes in colors
Have you seen her dressed in blue
See the sky in front of you
And her face is like a sail
Speck of white so fair and pale
Have you seen the lady fairer
She comes in colors everywhere;
She combs her hair
She's like a rainbow
Coming colors in the air
Oh, everywhere
She comes in colors
Have you seen her all in gold
Like a queen in days of old
She shoots colors all around
Like a sunset going down
Have you seen the lady fairer
She comes in colors everywhere;
She combs her hair
She's like a rainbow
Coming colors in the air
Oh, everywhere
She comes in colors
She's like a rainbow
Coming colors in the air
Oh, everywhere
She comes in colors
Wierd , after all these years listening to Stones I only just I thought,hey ,hold on ...who were the keyboard players? Silly me.
Nicky Hopkins played piano & Brian Jones played Mellotron on this tune. Google Mellotron, it i a very cool instrument!
Jimi’s “Bold as Love” isn’t in the RP library, so I’m using this Stones’ “Rainbow Song” as a flimsy excuse to tell one of my favorite high school stories.
A friend of mine is a huge Hendrix fan. When “Bold as Love” fist came out, he was going to a Catholic high school, and was assigned by his teacher (a Nun) to write a poem. He figured that she wouldn’t have heard any Hendrix songs, and decided to submit the lyrics of “Bold as Love”. To the Nun’s credit, she gave him an A+.
Too Funny! Thank You for sharing the story!
Jimi’s “Bold as Love” isn’t in the RP library, so I’m using this Stones’ “Rainbow Song” as a flimsy excuse to tell one of my favorite high school stories.
A friend of mine is a huge Hendrix fan. When “Bold as Love” fist came out, he was going to a Catholic high school, and was assigned by his teacher (a Nun) to write a poem. He figured that she wouldn’t have heard any Hendrix songs, and decided to submit the lyrics of “Bold as Love”. To the Nun’s credit, she gave him an A+.
A series of artists with double LL's in their names?
Same sequence a year later. Holly. Farrell. Retitzell. Rolling.
Satanic Majesty's Request is a Masterpiece. Sure, Mick and Keef like to dismiss it, perhaps because it was mostly Brian's invention and ABKCO has all the rights to this material but the album stands alone as Towering Psychedelia. Check out the deeper tracks like Gomper. Trippy AF
I'm glad you spelt it as majesty! I thought I was going mad. Is that an americanism or a typo?
The Grammar is correct...The Spelling is in question... Just saying....
no capital G in grammar
I fink this is a grate song.
Magestic, even.
Hey, BillG: Spell check on the album name. Unless there's an anachronistic ancient English spelling for Majesty ...
Sincerely,
the Grammar Nazi side of my personality
I think you are right about that spelling check. Wikipedia has: Their Satanic Majesties Request
Looking at an original copy with the lenticular cover. Majesties is correct.
Stunningly beautiful 60 second Photo-Shop
commercial set to 'She's a Rainbow' :
(159) Adobe Creative Cloud - Commute (72andSunny, 2020) - YouTube
Hey, BillG: Spell check on the album name. Unless there's an anachronistic ancient English spelling for Majesty ...
Sincerely,
the Grammar Nazi side of my personality
I think you are right about that spelling check. Wikipedia has: Their Satanic Majesties Request
Sincerely,
the Grammar Nazi side of my personality
The Grammar is correct...The Spelling is in question... Just saying....
The naked piano line, up an octave, the vibrato bit, the guitars bashing down, and then Mick Jagger's intent vocal, the drums, the strings .. wow. Takes me right back to the late 60's.
Where the hell else would I hear this but on RP? Subscriber for life, baby.
Don't forget the "support RP" dues...
The naked piano line, up an octave, the vibrato bit, the guitars bashing down, and then Mick Jagger's intent vocal, the drums, the strings .. wow. Takes me right back to the late 60's.
Where the hell else would I hear this but on RP? Subscriber for life, baby.
westslope wrote:
Yup. Love some of the earlier stuff but much of the Stones output leaves me cold.
Jagger also projected this "I'm here to make money and get gloriously fucked." vibe that always left me a tad cold.
And I'm also pretty sure that he started this set with Talk Talk's The Rainbow, too...
That is just so sneaky!
Check out "Why don`t we sing this song all together" the same album. The only record with John and Paul plus the stones.
And I'm also pretty sure that he started this set with Talk Talk's The Rainbow, too...
There are books to read if facts are wanted (Beatles vs. Stones).
On the other hand artists in the sixties were paying close attention to what other artists were doing and regardless if you're more Beatles, Stones, or neutral, thinking there's no similarity between these two album covers is a stretch too far for me ("No no no, the Stones are sitting down!" - *eyeroll*). Of course that may well have had more to do with managers and marketers than the artists themselves, eh?
Released 26 May 1967
Released 8 December 1967
For myself, the idea that there is some sort of "side" to pick just seems... pointless, and juvenile, and at worst: destructive. I imagine these two groups did have some kind of artistic effect on each other but for me it's not obvious in their music.
P.S. See Who's Who On The Beatles' Sgt. Pepper's Lonely Hearts Club Band Album Cover. In case it’s not clear, I believe each of these albums' artworks should be judged separately from their music.
So good to see the petulant kickback from someone who simply cannot admit they've been bested.
There are books to read if facts are wanted (Beatles vs. Stones).
On the other hand artists in the sixties were paying close attention to what other artists were doing and regardless if you're more Beatles, Stones, or neutral, thinking there's no similarity between these two album covers is a stretch too far for me ("No no no, the Stones are sitting down!" - *eyeroll*). Of course that may well have had more to do with managers and marketers than the artists themselves, eh?
Released 26 May 1967
Released 8 December 1967
For myself, the idea that there is some sort of "side" to pick just seems... pointless, and juvenile, and at worst: destructive. I imagine these two groups did have some kind of artistic effect on each other but for me it's not obvious in their music.
P.S. See Who’s Who On The Beatles’ ‘Sgt. Pepper’s Lonely Hearts Club Band’ Album Cover. In case it’s not clear, I believe each of these albums’ artworks should be judged separately from their music.
P.P.S. There’s a callout to the Stones in the Sgt. Pepper’s cover art.
I agree this rivalry is silly, they're both great bands and there's no reason to compare except they were both part of the British invasion. But it was the Stones that consciously tried to distinguish themselves from the Beatles by being the "bad boys" to the Fab Four's squeakier image. I will say this though...the Beatles could do the Stones, but the Stones couldn't really do the Beatles. Where's the Stones' "Tomorrow Never Knows" or "I Am the Egg Man"?? I like the Stones, but I love the Beatles.
Sincerely,
the Grammar Nazi side of my personality
Said the spider to the fly....
To you too, "Baseless accusation...failure to acknowledge your
statement"? pffft. Whatever man. And your clip is only one of many
interviews on the subject. Do you think, just maybe, the answers differ
from decade to decade? Surprise! They do!
I wish could find the
interviews from Keith and Mick at different times over the years. That
is why I stated even they admitted it. That wasn't just an opinion.
Sorry to burst your bubble. (Well, not really.)
So good to see the petulant kickback from someone who simply cannot admit they've been bested.
had to look it up, was not dissapointed: bb - daytripper ->rainbow
P.S. Screw the comparisons between the Stones and the Beatles. They were entirely different bands with an entirely different raison d'être. Vive la différence!
If you can get all the way through Satanic Majesties you have more fortitude than me. Outside of this and 2000 Light Years to these ears it is unlistenable.
P.S. Screw the comparisons between the Stones and the Beatles. They were entirely different bands with an entirely different raison d'être. Vive la différence!
To you too, "Baseless accusation...failure to acknowledge your statement"? pffft. Whatever man. And your clip is only one of many interviews on the subject. Do you think, just maybe, the answers differ from decade to decade? Surprise! They do!
I wish could find the interviews from Keith and Mick at different times over the years. That is why I stated even they admitted it. That wasn't just an opinion.
Sorry to burst your bubble. (Well, not really.)
Let's let Mick himself answer this baseless accusation by failing to acknowledge your statement.
Per a Rolling Stone Mick Jagger interview in 1995:
You then did “Their Satanic Majesties Request.” What was going on here?
I probably started to take too many drugs.
Was it just you trying to be the Beatles?
I think we were just taking too much acid. We were just getting carried away,
just thinking anything you did was fun and everyone should listen to it.
The whole thing, we were on acid. We were on acid doing the cover picture. I always remember doing that. It was like being at school, you know, sticking on the bits of colored paper and things. It was really silly. But we enjoyed it. [Laughs] Also, we did it to piss Andrew off, because he was such a pain in the neck. Because he didn’t understand it. The more we wanted to unload him, we decided to go on this path to alienate him.
Just to force him out?
Yeah. Without actually doing it legally, we forced him out. I mean, he wanted out anyway. We were so out of our minds.
After it came out and it was kind of a chunk record, how did you consider it?
A phase. A passing fancy.
You followed up with “Jumpin’ Jack Flash.”
We did that one as a single, out of all the acid of Satanic Majesties.
To you too, "Baseless accusation...failure to acknowledge your statement"? pffft. Whatever man. And your clip is only one of many interviews on the subject. Do you think, just maybe, the answers differ from decade to decade? Surprise! They do!
I wish could find the interviews from Keith and Mick at different times over the years. That is why I stated even they admitted it. That wasn't just an opinion.
Sorry to burst your bubble. (Well, not really.)
I would.
It's what was happening in 1967 London.
Both bands were basically making the same scene, and had many of the same associates, friends, influences, women, parties, dealers, photographers, studios . .
You'd have to elaborate on how the Stones 'tried a little too hard to copy the Beatles' if you expect credibility when suggesting they 'ripped off' anyone.
The Beatles would have done well to follow the STONES' lead on many things, including exposure (touring), instead of destroying each other in the studio (see:yoko ono). The best performance of their short career was on the roof of a building for gawds sake.
'SHE'S A RAINBOW' had nothing at all to do with the four fab mop tops - THAT'S what Mick and Keith would acknowledge.
I wish could find the interviews from Keith and mick at different times over the years. That is why i stated even they admitted it. That wasn't just an opinion.
There are books to read if facts are wanted (Beatles vs. Stones).
On the other hand artists in the sixties were paying close attention to what other artists were doing and regardless if you're more Beatles, Stones, or neutral, thinking there's no similarity between these two album covers is a stretch too far for me ("No no no, the Stones are sitting down!" - *eyeroll*). Of course that may well have had more to do with managers and marketers than the artists themselves, eh?
Released 26 May 1967
Released 8 December 1967
For myself, the idea that there is some sort of "side" to pick just seems... pointless, and juvenile, and at worst: destructive. I imagine these two groups did have some kind of artistic effect on each other but for me it's not obvious in their music.
P.S. See Who's Who On The Beatles' Sgt. Pepper's Lonely Hearts Club Band Album Cover. In case it’s not clear, I believe each of these albums' artworks should be judged separately from their music.
I wouldn't. The Stones tried a little to hard to copy or emulate what the Beatles did in 67. Not a bad album, but clearly an attempted rip. Even Jagger and Richards acknowledge that.
Let's let Mick himself answer this baseless accusation by failing to acknowledge your statement.
Per a Rolling Stone Mick Jagger interview in 1995:
You then did “Their Satanic Majesties Request.” What was going on here?
I probably started to take too many drugs.
Was it just you trying to be the Beatles?
I think we were just taking too much acid. We were just getting carried away,
just thinking anything you did was fun and everyone should listen to it.
The whole thing, we were on acid. We were on acid doing the cover picture. I always remember doing that. It was like being at school, you know, sticking on the bits of colored paper and things. It was really silly. But we enjoyed it. [Laughs] Also, we did it to piss Andrew off, because he was such a pain in the neck. Because he didn’t understand it. The more we wanted to unload him, we decided to go on this path to alienate him.
Just to force him out?
Yeah. Without actually doing it legally, we forced him out. I mean, he wanted out anyway. We were so out of our minds.
After it came out and it was kind of a chunk record, how did you consider it?
A phase. A passing fancy.
You followed up with “Jumpin’ Jack Flash.”
We did that one as a single, out of all the acid of Satanic Majesties.
I wouldn't. The Stones tried a little to hard to copy or emulate what the Beatles did in 67. Not a bad album, but clearly an attempted rip. Even Jagger and Richards acknowledge that.
I would.
It's what was happening in 1967 London.
Both bands were basically making the same scene, and had many of the same associates, friends, influences, women, parties, dealers, photographers, studios . .
You'd have to elaborate on how the Stones 'tried a little too hard to copy the Beatles' if you expect credibility when suggesting they 'ripped off' anyone.
The Beatles would have done well to follow the STONES' lead on many things, including exposure (touring), instead of destroying each other in the studio (see:yoko ono). The best performance of their short career was on the roof of a building for gawds sake.
'SHE'S A RAINBOW' had nothing at all to do with the four fab mop tops - THAT'S what Mick and Keith would acknowledge.
They've done lots of other songs which deserve an airing.
I wouldn't. The Stones tried a little to hard to copy or emulate what the Beatles did in 67. Not a bad album, but clearly an attempted rip. Even Jagger and Richards acknowledge that.
The first time was on a car commercial.
'SHE'S A RAINBOW'
Recorded May 18, 1967
Released on Their Satanic Majesties Request in December of 1967
Lead Vocal: Mick Jagger
Piano: Nicky Hopkins
Electric Guitar: Keith Richards
Mellotron: Brian Jones
Bass: Bill Wyman
Drums: Charlie Watts
Percussion: Brian Jones & Mick Jagger
Background Vocals: Keith Richards, Mick Jagger, Brian Jones & Bill Wyman
Strings: Arranged by John Paul Jones
SHE'S A RAINBOW
(Jagger/Richards)
She comes in colors everywhere;
She combs her hair
et cetera ....
Thanks, but most of that can be obtained from clicking on the album picture or the "Lyrics" button.
is ...
is merely an exercise in emptiness, Grasshopppper. Your anguished little opinions are the wellspring of desire and aversion and just make you suffer. All that matters is what is IN THE GROOVE, DUDES! (May I call you "Dudes?"). Maybe the only way we can settle this is to climb into the Time Tunnel!
Hey, I just got back- here's the report: The Rolling Stones "Satanic Majesties Request" LP was freakin' great, totally beloved by all. But most of the the folks back there I talked to were under the influence of some wicked good drugs! Form your own conclusions.
'SHE'S A RAINBOW'
Recorded May 18, 1967
Released on Their Satanic Majesties Request in December of 1967
Lead Vocal: Mick Jagger
Piano: Nicky Hopkins
Electric Guitar: Keith Richards
Mellotron: Brian Jones
Bass: Bill Wyman
Drums: Charlie Watts
Percussion: Brian Jones & Mick Jagger
Background Vocals: Keith Richards, Mick Jagger, Brian Jones & Bill Wyman
Strings: Arranged by John Paul Jones
SHE'S A RAINBOW
(Jagger/Richards)
She comes in colors everywhere;
She combs her hair
She's like a rainbow
Coming colors in the air
Oh, everywhere
She comes in colors
She comes in colors everywhere;
She combs her hair
She's like a rainbow
Coming colors in the air
Oh, everywhere
She comes in colors
Have you seen her dressed in blue
See the sky in front of you
And her face is like a sail
Speck of white so fair and pale
Have you seen the lady fairer
She comes in colors everywhere;
She combs her hair
She's like a rainbow
Coming colors in the air
Oh, everywhere
She comes in colors
Have you seen her all in gold
Like a queen in days of old
She shoots colors all around
Like a sunset going down
Have you seen the lady fairer
She comes in colors everywhere;
She combs her hair
She's like a rainbow
Coming colors in the air
Oh, everywhere
She comes in colors
She's like a rainbow
Coming colors in the air
Oh, everywhere
She comes in colors ~
Yup. Love some of the earlier stuff but much of the Stones output leaves me cold.
Jagger also projected this "I'm here to make money and get gloriously fucked." vibe that always left me a tad cold.
Yeah!, nobody really wants money and sex. What was he thinking?
No worries. 'Twas an interesting read. Thanks!
Proclivities wrote:
No, I have never heard or read that, in fact, I've recently read quite the opposite:
"The Beatles sounded great when they were the Beatles... I think they got carried away. Why not? If you're the Beatles in the Sixties, you just get carried away – you forget what it is you wanted to do. You're starting to do Sgt. Pepper. Some people think it's a genius album, but I think it's a mishmash of rubbish, kind of like Satanic Majesties – 'Oh, if you can make a load of shit, so can we.'"
Keith Richards, Esquire Magazine, Aug. 5, 2015
yeah I know, that was an attempt at sarcasim
Oh, man. I fell for it.
Yup. Love some of the earlier stuff but much of the Stones output leaves me cold.
Jagger also projected this "I'm here to make money and get gloriously fucked." vibe that always left me a tad cold.
Proclivities wrote:
No, I have never heard or read that, in fact, I've recently read quite the opposite:
"The Beatles sounded great when they were the Beatles... I think they got carried away. Why not? If you're the Beatles in the Sixties, you just get carried away – you forget what it is you wanted to do. You're starting to do Sgt. Pepper. Some people think it's a genius album, but I think it's a mishmash of rubbish, kind of like Satanic Majesties – 'Oh, if you can make a load of shit, so can we.'"
Keith Richards, Esquire Magazine, Aug. 5, 2015
yeah I know, that was an attempt at sarcasim
It was not a contest, just different ways of expressing an utterly amazing experience.
I'm not surprised in the least he would say that. Sour grapes.
Yeah I don't think Keef was being entirely candid about that whole thing. Haha.
Let's face it, he knows damned well the Stones couldn't match Sgt. Pepper's at that particular moment in '67 - psychedelic just wasn't really the Stones' bag anyway. A few later Stones albums could be argued as being as good or better than Pepper's once they got back to their bluesy, harder rock roots. I say that as a big fan of both Stones and Beatles.
Keef would be better off having said something like, "Hey...you know...it's what we did then. Well...Pepper's sort of hit everyone sideways so Majesty's we just threw out there but we didn't have a clue. It was a fucking disaster actually...(laughs)"...in his Keef-like way while waving a cigarette around.
Gotta love em!
No, I have never heard or read that, in fact, I've recently read quite the opposite:
"The Beatles sounded great when they were the Beatles... I think they got carried away. Why not? If you're the Beatles in the Sixties, you just get carried away – you forget what it is you wanted to do. You're starting to do Sgt. Pepper. Some people think it's a genius album, but I think it's a mishmash of rubbish, kind of like Satanic Majesties – 'Oh, if you can make a load of shit, so can we.'"
Keith Richards, Esquire Magazine, Aug. 5, 2015
I'm not surprised in the least he would say that. Sour grapes.
Ditto.
No, I have never heard or read that, in fact, I've recently read quite the opposite:
"The Beatles sounded great when they were the Beatles... I think they got carried away. Why not? If you're the Beatles in the Sixties, you just get carried away – you forget what it is you wanted to do. You're starting to do Sgt. Pepper. Some people think it's a genius album, but I think it's a mishmash of rubbish, kind of like Satanic Majesties – 'Oh, if you can make a load of shit, so can we.'"
Keith Richards, Esquire Magazine, Aug. 5, 2015
I love the songs on this album but I agree, this is not where their heads and hearts truly were.
Me so horny... this song comes in colors... love it...
Lucky you.......horny in church. Maybe I should investigate this happy juxtaposition further.
Everybody in my galactic presidential campaigns loves this horny song... we love sex, drugs, and rock 'n roll... hope you are getting it good these days, TerryS...
No, I have never heard or read that, in fact, I've recently read quite the opposite:
"The Beatles sounded great when they were the Beatles... I think they got carried away. Why not? If you're the Beatles in the Sixties, you just get carried away – you forget what it is you wanted to do. You're starting to do Sgt. Pepper. Some people think it's a genius album, but I think it's a mishmash of rubbish, kind of like Satanic Majesties – 'Oh, if you can make a load of shit, so can we.'"
Keith Richards, Esquire Magazine, Aug. 5, 2015
Without suggesting that they were slaves to fashion, they were not shy about riding the occasional wave (psychedelia, this and Flowers, or disco, Tattoo You). Still, each rose above mere imitation--they are a great band.
I understand they went on to do reasonably well.
I am 65. They have been the soundtrack to my life. I love 'em.
Everybody in my church loves this song...
Got nothing better to do, eh?
Everybody in my church loves this song...
Me so horny... this song comes in colors... love it...
Lucky you.......horny in church. Maybe I should investigate this happy juxtaposition further.
Pearls before swine? Were those pearls costume jewelry?
It's not about the pearls. It's about the swine.
Me so horny... this song comes in colors... love it...
The Stones are generally a great live band but I'd agree that Love You Live was not their best effort (and certainly not "one of the greatest live albums of all time"). As for this song, it's not really rock & roll, but I like it.
Everybody in my church loves this song...
I'm-a let you finish BUT ... the album that you denigrate, was Love You Live which, incidentally, contains an incredible cover of Mannish Boy with blues legend Muddy Waters sitting in at the El Mocambo club in Toronto. One of the greatest live albums of all time.
Pearls before swine.
https://www.youtube.com/watch?v=BYO2oxDv_ZU
Oooh. Greatest what — muddy sound with Muddy Waters? Guys singing and playing off key greatly? Perhaps they were too intoxistoned to sound as great as they coulda shoulda. I had that album for half a day, listened twice, and took it back to the record store for an exchange and the store manager agreed with me. Pearls before swine? Were those pearls costume jewelry?
and I suppose everything you've ever done was a masterpiece?
LOL - excellent comment. The Stones classics you couldn't even fit on a double-album.
See the sky in front of you..."
I'm-a let you finish BUT ... the album that you denigrate, was Love You Live which, incidentally, contains an incredible cover of Mannish Boy with blues legend Muddy Waters sitting in at the El Mocambo club in Toronto. One of the greatest live albums of all time.
Pearls before swine.
https://www.youtube.com/watch?v=BYO2oxDv_ZU
and I suppose everything you've ever done was a masterpiece?